Andy Warhol and the cinema as truth machine
DOI:
https://doi.org/10.11606/issn.2178-0447.ars.2019.158121Keywords:
Warhol, Andy (1928-1987, Avant-Garde Cinema, Pop ArtAbstract
In 1963, at the height of his success as a Pop artist, Andy Warhol started directing films, which he produced at a frequent pace until 1968. This essay investigates the relationships between painting and cinema in Warhol’s practice. At a first moment, I would like to propose a reading of Warhol’s work based the concepts of appearance, artifice, and performance. Subsequently, I intend to show how these issues are repositioned in the films when faced with the specific qualities of cinema as a medium, such as realism, movement, and time.
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