The flesh of thought
variations on painting and language in Jasper Johns, Robert Barry and Valère Novarina
DOI:
https://doi.org/10.11606/issn.1984-1124.v1i25p18-35Keywords:
Jasper Johns, Robert Barry, Valère Novarina, Literature and Painting, VoiceAbstract
This paper begins with a commentary on one among other works by the painter Jasper Johns which explore the theme of voice, Voice (1964-1967). This commentary fosters a crossed reading of works by Johns, Robert Barry and Valère Novarina, which, from a threshold in the realm of painting, bring to the fore this artistic realm as a space of continuous production of thresholds and intertwinings between language, body, space and thinking.
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References
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POTTS, Alex. The sculptural imagination: figurative, modern, minimalist. New Haven / Londres: Yale University Press, 2000.
RAMAT, Christine. Valere Novarina: La comédie du verbe. Paris: L’Harmattan, 2009.
RAMOS, Luiz Fernando. Mimesis performativa: a margem de invenção possível. São Paulo: Annablume, 2015.
RÉGY, Claude. Espaces perdus. Besançon: Les Solitaires Intempestifs, 1998.
STEINBERG, Leo. “Outros critérios”. In: Outros critérios. Confrontos com a arte do século XX. São Paulo: Cosac Naify, 2008.
TASSINARI, Alberto. O espaço moderno. São Paulo: Cosac Naify, 2001.
VIVÈS, Jean-Michel. “Para introduzir a questão da pulsão invocante”. Revista Latino-americana de Psicopatologia Fundamental, São Paulo, v. 12, n. 2, p. 329-341, junho 2009.
WEISS, Jeffrey. “Painting bitten by a man”. In: WEISS, Jeffrey (org.), Jasper Johns: an allegory of painting, 1955-1965. Washington: National Gallery of Art, 2007
ZULAR, Roberto. “O ouvido da serpente”. In: Passos, Cleusa Rios; Rosenbaum, Yudith (Orgs.). Interpretações. Crítica Literária e Psicanálise. São Paulo: Atelier, 2014.
BOIS, Yve-Alain. A pintura como modelo. São Paulo: WMF Martins Fontes, 2009.
CÍCERO, Antonio. “Os Babilaques de Waly Salomão”. In: SALOMÃO, Waly. Babilaques. Alguns cristais clivados. Rio de Janeiro: Contra Capa Livraria / Kabuki Produções Culturais, 2007.
CORVIN, Michel. Marchons ensemble, Novarina!: Vade mecum. Besançon: Les Solitaires Intempestifs, 2012.
DAMISCH, Hubert. The origin os perspective. Cambridge: MIT Press, 1994.
DAMISCH, Hubert. Fenêtre jaune cadmium, ou les dessous de la peinture. Paris: Les Éditions du Seuil, 1984.
DIDI-HUBERMAN. O Que Vemos, o Que Nos Olha. São Paulo: Editora 34, 1998.
DOLAR, Mladen. A Voice And Nothing More. Cambridge / Londres: The MIT Press, 2006.
ELDERFIELD, John. “Diver: a delay”. In: WEISS, Jeffrey (org.), Jasper Johns: an allegory of painting, 1955-1965. Washington: National Gallery of Art, 2007.
FOSTER, Hal.: The return of the real: the avant-garde at the end of the century. Cambridge: MIT Press, 1996.
FOSTER, Hal; SERRA, Richard. Conversations about sculpture. New Haven / Londres: Yale University Press, 2018.
FOUCAULT, Michel. Isto não é um cachimbo. Rio de Janeiro: Paz e Terra, 1988.
FRIED, Michael. “Art and objecthood”. In: Art and Objecthood: essays and reviews. Chicago: University of Chicago Press, 1998.
GOLDFEDER, André. Coisas-mapa para homens cegos. Nuno Ramos, voz e materialidades em atravessamentos. Tese de doutorado. São Paulo: Universidade de São Paulo, 2018.
GOUDONA, Souzita. Beckett’s Breath: Antitheatricality and the visual arts. Endimburgo: Endimburgh University Press, 2018.
GREENBERG, Clement. “A pintura moderna”. In: BATTOCK, G. (org.). A nova arte. São Paulo: Perspectiva, 1975.
JOHNS, Jaspers. Writings, sketchbook notes, interviews. Nova York: The Museum of Modern Art, 1996.
KIM-COHEN, Seth. In the Blink of an Ear: Toward a Non-Cochlear Sonic Art. Nova York / Londres: Continuum, 2011.
KIM-COHEN, Seth. Against ambience and other essays. Nova York / Londres: Bloomsbury Academics, 2016.
KRAUSS, Rosalind. “Sculpture in the Expanded Field”. October. V. 8 (Spring, 1979), pp. 30-44.
LIPPARD, Lucy. Six years: the dematerialization of the art object from 1966 to 1972. Berkeley: University of California Press, 1997.
LOPES, Angela Leite. Traduzindo Novarina: Cena, pintura e pensamento. Rio de Janeiro: 7 Letras, 2017.
MAINGUENEAU, Dominique. Discurso Literário. São Paulo: Contexto, 2012.
MORRIS, Robert. Continuous project altered daily: the writings of Robert Morris. Cambridge: The MIT Press, 1993.
NANCY, Jean-Luc. À l’écoute. Paris: Éditions Galilée, 2002.
NANCY, Jean-Luc. The pleasure in drawing. Nova York: Fordham University Press, 2013.
NOVARINA, Valère. Pendant la matière. Paris: P.O.L. éditeur, 1991.
NOVARINA, Valère. Diante da palavra. Rio de Janeiro: 7 Letras, 2009.
NOVARINA, Valère. La quatrième personne du singulier. Paris: P.O.L Éditeur, 2012.
NOVARINA, Valère. Voie negative. Paris: P.O.L, 2017.
OLIVEIRA, Lígia Souza. O império das palavras: um estudo da parole teatral em Valère Novarina. Tese de doutorado. São Paulo: Universidade de São Paulo, 2018.
POTTS, Alex. The sculptural imagination: figurative, modern, minimalist. New Haven / Londres: Yale University Press, 2000.
RAMAT, Christine. Valere Novarina: La comédie du verbe. Paris: L’Harmattan, 2009.
RAMOS, Luiz Fernando. Mimesis performativa: a margem de invenção possível. São Paulo: Annablume, 2015.
RÉGY, Claude. Espaces perdus. Besançon: Les Solitaires Intempestifs, 1998.
STEINBERG, Leo. “Outros critérios”. In: Outros critérios. Confrontos com a arte do século XX. São Paulo: Cosac Naify, 2008.
TASSINARI, Alberto. O espaço moderno. São Paulo: Cosac Naify, 2001.
VIVÈS, Jean-Michel. “Para introduzir a questão da pulsão invocante”. Revista Latino-americana de Psicopatologia Fundamental, São Paulo, v. 12, n. 2, p. 329-341, junho 2009.
WEISS, Jeffrey. “Painting bitten by a man”. In: WEISS, Jeffrey (org.), Jasper Johns: an allegory of painting, 1955-1965. Washington: National Gallery of Art, 2007
ZULAR, Roberto. “O ouvido da serpente”. In: Passos, Cleusa Rios; Rosenbaum, Yudith (Orgs.). Interpretações. Crítica Literária e Psicanálise. São Paulo: Atelier, 2014.
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2020-01-07
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How to Cite
Goldfeder, A. (2020). The flesh of thought: variations on painting and language in Jasper Johns, Robert Barry and Valère Novarina. Revista Criação & Crítica, 1(25), 18-35. https://doi.org/10.11606/issn.1984-1124.v1i25p18-35
