Barthes' dancing words
DOI:
https://doi.org/10.11606/issn.1984-1124.i30p431-446Keywords:
Barthes, Nietzsche, Pleasure, Metaphor, DanceAbstract
Deeply touched by the writings of the philosopher who claimed the death of God, Barthes likewise claims the death of the author; due to the impossibility of clear and distinct knowledge, his counter theory of the text exposition is to be befitting: fragmented and exposed through metaphor. Thus this article aims to make way to an approach between dance and Barthes’ writing, pointing out the necessity of an exposition style in which concepts are metaphorized and articulated to move, pushed by what is to be asserted instead of science: pleasure. Therefore Nietzsche’s influence upon Barthes will be reviewed, so it can be evidenced the necessity of such a writing, that will climax in Barthes’ The pleasure of the texte, a landmark in his writing life in which theory and sensuality are confounded, as we aim to reveal here.
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