O sino do amor e o badalar do recalque: notas sobre Dão-Lalalão, de Guimarães Rosa

Authors

  • Edinael Sanches Rocha Universidade de São Paulo

DOI:

https://doi.org/10.11606/issn.1984-1124.v2i3p17-32

Keywords:

Guimarães Rosa, Dão-Lalalão, oscillation of the protagonist, psychoanalysis, repression

Abstract

The present article approaches the novel Dão-Lalalão, by João Guimarães Rosa, undertaking a stylistic analysis of the narrative and articulating with the psychoanalytic theory of Freud, mainly with the repression concept. Starting from Guimarães Rosa’s own indications present in other works, its proposed the metaphor of the chime of a bell as correlation with the internal and external movements of the protagonist.

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Published

2009-10-15

Issue

No. 3 (2009)

Section

Articles

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How to Cite

Rocha, E. S. (2009). O sino do amor e o badalar do recalque: notas sobre Dão-Lalalão, de Guimarães Rosa. Revista Criação & Crítica, 3, 17-32. https://doi.org/10.11606/issn.1984-1124.v2i3p17-32