L’IMAGINATION DE L’AUTEUR
DOI:
https://doi.org/10.11606/issn.1984-1124.v0i13p21-33Keywords:
author, imagination, aesthetics, reader, Barthes, CompagnonAbstract
The first part of this paper proposes a confrontation between two positions apparently opposed to each other and separated in time concerning the theoretical question of the death of the author: Roland Barthes himself and Antoine Compagnon. If Compagnon’s critique of Barthes is interpreted as a symptomatic refusal of reflection on such a question and as a decision to stick to the empirical evidence of the existence of the authors, the article formulates the hypothesis that the death of the author and the return of the author cannot be treated as facts precisely because they correspond to aesthetic judgments. In the second part - concerning the death of the author and his possible return -, the paper aims at showing some of the philosophical implications of these ideas from Hegel to Kant and from Kant to Bachelard.
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References
BACHELARD, Gaston. L’air et les songes, Librairie José Corti, Paris, 1943.
BARTHES, Roland. Le degré zéro de l’écriture suivi de Nouveaux essais critiques, Editions du Seuil, Paris 1972.
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COMPAGNON, Antoine. Fabula. Disponível em http://www.fabula.org/compagnon/auteur.php. Acesso em 07/11/2014.
FERRY, Luc. Homo Aestheticus. L’invention du goût à l’âge démocratique. Bernard Grasset, Paris, 1990.
HEGEL, G.W.F..Esthétique. Premier volume. Traduction V. Jankélévitch. Flammarion, Paris 1979.
KANT, Emmanuel. Critique de la faculté de juger. Traduction A. Philonenko. Librairie Philosophique J. VRIN, Paris, 1984.
SCHAEFFER, Jean-Marie. L’art de l’âge moderne. L’esthétique et la philosophie de l’art du XVIIIème siècle à nos jours. Editions Gallimard, Paris, 1992.
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