The essential performer by Denise Stoklos will always theater (essential)?

Authors

  • Ipojucan Pereira da Silva University of São Paulo

DOI:

https://doi.org/10.11606/issn.2238-7838..pesquisator.2012.36120

Keywords:

Essential Performer, Soloist Performance, Denise Stoklos

Abstract

This paper analyzes the features of the solo performance by Denise Stoklos in her concept of the “Essential Theater”. Investigates and organizes the processes of performance of the “essential performer” by means of desk research, interviews and some performances by actress. It suggests that this process from the performance imbricates with daily life, and leads the actor to be in a state of self-perception, capturing the elements which will be part of the dramatic and articulating both body and voice to stimulate the spectator to differentiated perceptions.

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Author Biography

  • Ipojucan Pereira da Silva, University of São Paulo
    Ator, diretor e Mestre em Teoria e Prática do Teatro pela ECA-USP, atualmente é doutorando no Programa de Pós-Graduação da ECA-USP e professor da Universidade Bandeirante (UNIBAN). Rio de Janeiro, RJ, Brasil. Com uma larga experiência ligada ao Teatro Físico advinda do contato com a Dança Moderna, com o Teatro Inglês Moderno e com a Mímica Contemporânea, atua no circuito teatral paulistano à frente do Grupo Teatral Isla Madrasta desde 1997.

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Published

2012-05-19

Issue

No. 1 (2012)

Section

Artigos

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How to Cite

The essential performer by Denise Stoklos will always theater (essential)?. (2012). PesquisAtor, 1(1). https://doi.org/10.11606/issn.2238-7838..pesquisator.2012.36120