The appropriation of subjectivity by the symbolic violence of the cultural industry: submission to the culpability of individuals

Authors

  • Angela Caniato Universidade Estadual de Maringá; Programa de Pós Graduação de Psicologia
  • Claudia Cotrim Cesnik Universidade Estadual de Maringá; Programa de Pós Graduação de Psicologia
  • Samara Megume Rodrigues Universidade Estadual de Maringá; Programa de Pós Graduação de Psicologia

DOI:

https://doi.org/10.1590/S0103-65642012000400003

Keywords:

Cultural industry, Consumer objects, Identification models, Symbolic violence, Sadomasochism

Abstract

This current research deepens the concept of cultural industry, coined by Horkheimer and Adorno (1985), so that its overlapping with unconscious fantasies, especially destructive one, may be understood. When subjects internalize the symbolic violence of cultural industry, they transfer the identification models required by consumption society and universalize the object logic among all. The perversion in the subjectivities constitution processes leads towards the standardization of models which Adorno identifies as pseudo-individual symbiotically linked to one another. A similarity exists between these concepts by Adorno and Freuds unconscious feeling of guilt in which the latter identifies processes of subjective self-punishment when subjects are impaired to react due to social repression. Sadomasochism sustains the subjects complicity with such an oppressing status quo, orchestrated by the mistake of ideologies diffused by the cultural industry. Is it possible that these subjects appropriate their critical possibilities to become culture-builders?

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Published

2012-12-01

Issue

Section

Original Articles

How to Cite

The appropriation of subjectivity by the symbolic violence of the cultural industry: submission to the culpability of individuals . (2012). Psicologia USP, 23(4), 661-681. https://doi.org/10.1590/S0103-65642012000400003