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Vol. 4 No. 1 (2018)
Vol. 4 No. 1 (2018)
Published:
2018-10-24
Full Issue
PDF (Portuguese)
Article
The use of elements and rhetorical figures in Laudate Pueri by André da Silva Gomes
Eliel Almeida Soares
9-34
PDF (Portuguese)
Villa-Lobos and Tom Jobim
an analysis of influences
Juliana Ripke
35-68
PDF (Portuguese)
Between erudite and the popular
approaches and detachments in the formation of Brazilian urban music
Luciana Fernandes Rosa, Silvia Maria Pires Cabrera Berg
69-90
PDF (Portuguese)
Almir Sater
considerations on the instrumentation of “Luzeiro” in the album Instrumental, launched in 1985
Max Junior Sales
91-107
PDF (Portuguese)
The barber of Seville
analysis of some aspects of the intertextuality between the Beaumarchais’ comedy and the libretto of Rossini’s opera
Regina Rocha
108-137
PDF (Portuguese)
Dalcroze eurhythmics and the education of collaborative musicians
Silvia Berg, Daniela Amaral Rodrigues Nicoletti
138-161
PDF (Portuguese)
Comunication
Between “occupation” and “profession”
considerations on work in music
Helder Danilo Capuzzo
162-173
PDF (Portuguese)
Translation
Application to the Council of the City of Leipzig
Rubens Russomanno Ricciardi, Dorothea Hofmann; Johann Sebastian Bach
174-183
PDF (Portuguese)
Score
Critical edition of Quartet nº 3 (1962) by Mozart Camargo Guarnieri
Diego Rueda, Lucas E. S. Galon
184-266
PDF (Portuguese)
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