Correções, interrogatórios e políticas de intercâmbio local/global na crítica de arte feminista

Autores

DOI:

https://doi.org/10.11606/2316901X.n87.2024.e10675

Palavras-chave:

Crítica de arte feminista, Arte contemporânea, História da crítica de arte

Resumo

Neste ensaio, descrevo em que pode consistir uma história da arte da crítica de arte feminista e argumento que ela não deve se limitar a um retorno às histórias de “origem” de alguns grandes críticos ou focar apenas no que um crítico diz sobre o seu encontro com uma obra de arte. Em vez disso, sugiro procurar outras formas de aceder à criação de discurso da crítica de arte feminista local e global, nomeadamente 1) através de entrevistas com artistas, 2) em ensaios temáticos que tentam redefinir o feminismo e a arte e 3) examinando o foco da arte feminista em jornais e revistas.

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Biografia do Autor

  • Katy Deepwell, Middlesex University

    Katy Deepwell é professora de Arte Contemporânea, Teoria e Crítica na Middlesex University, fundadora e editora da n. paradoxa: international feminist art journal, 1998-2017. Em 2021, recebeu o Distinguished Feminist Scholar Award por seu trabalho como crítica de arte na College Art Association (EUA).

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Publicado

2024-05-28

Edição

Seção

Dossiê: A crítica de arte feita por mulheres e seus desdobramentos institucionais

Como Citar

Deepwell, K. (2024). Correções, interrogatórios e políticas de intercâmbio local/global na crítica de arte feminista. Revista Do Instituto De Estudos Brasileiros, 1(87), 1-22. https://doi.org/10.11606/2316901X.n87.2024.e10675