The “animated photograph” aesthetics in contemporary creation: unarchiving, putting into movement, detailed analysis, editing, listening and projection of archived images

Authors

DOI:

https://doi.org/10.11606/issn.2316-7114.sig.2017.115194

Keywords:

Slideshow, cinema and photography, unarchiving images, documentary.

Abstract

This article analyses films that show archived photographs and put them into movement, revealing, thanks to the strategies employed by the films and art-installations analysed, that latent tensions and potencies from archived and forgotten images emerge, giving actuality to a violent and painful past. Our objective is to understand and describe this operation of “animating” images originally static in two documentaries – 48, by Susana de Sousa Dias, and Retratos de identificação, by Anita Leandro – and A man
called love, a slideshow created by Tamar Guimarães and Kasper Ankhøj.

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Author Biography

  • Lúcia Ramos Monteiro, ECA-USP / Fapesp
    Lúcia Ramos Monteiro has a PhD in Film Studies (Université Sorbonne Nouvelle Paris 3 and Universidade de São Paulo, 2014). She worked as visiting professor at Universidad de las Artes (Guayaquil, Ecuador, 2014/2015) and as assistant professor at Sorbonne Nouvelle (Paris, France, 2009/2010). She develops a post-doctoral research at Escola de Comunicações e Artes, Universidade de São Paulo (ECA-USP)/Fapesp, on "Dissolution narratives".

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Referências audiovisuais

Criação: Susana de Sousa Dias. Portugal, 2010.

A FAMÍLIA do capitão Gervásio. Criação: Tamar Guimarães e Kasper Ankhøj. Brasil,

A MAN called love. Criação: Tamar Guimarães e Kasper Ankhøj. Austrália, 2007.

NATUREZA morta. Criação: Susana de Sousa Dias. Portugal, 2005.

PREFÁCIO a Fuzis para Banta. Criação: Mathieu Abonnenc. França, 2011.

RETRATOS de identificação. Criação: Anita Leandro. Brasil, 2014.

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Published

2017-07-13

Issue

Vol. 44 No. 47 (2017): Dossiê: Novas cartografias do cinema e da produção audiovisual

Section

Articles

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Copyright (c) 2017 Lúcia Ramos Monteiro

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How to Cite

The “animated photograph” aesthetics in contemporary creation: unarchiving, putting into movement, detailed analysis, editing, listening and projection of archived images. (2017). Significação: Journal of Audiovisual Culture, 44(47), 239-257. https://doi.org/10.11606/issn.2316-7114.sig.2017.115194