Cinema and the technological capture of time

Authors

  • Silvia Okumura Hayashi Universidade de São Paulo

DOI:

https://doi.org/10.11606/issn.2316-7114.sig.2019.147840

Keywords:

cinema, time, technology, film industry, media archeology

Abstract

This paper examines cinematographic time in accordance with media archeology and comparative media studies. The technological origin of time register and visualization undertaken from industrial modernity are the starting point to a non-chronological investigation of devices devoted to visualizing, capturing, storaging and manipulating cinematographic time.

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Author Biography

  • Silvia Okumura Hayashi, Universidade de São Paulo

    Docente temporária da Escola de Comunicações e Artes da Universidade de São Paulo, Departamento de Rádio, Cinema e Televisão. Doutora em Meios e Processos Audiovisuais pela Universidade de São Paulo. Foi bolsista da Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (Capes) e pesquisadora visitante na York University (Toronto, Canadá).

References

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Published

2019-07-01

Issue

Vol. 46 No. 52 (2019): Dossiê: História e Audiovisual

Section

Articles

License

Copyright (c) 2019 Silvia Okumura Hayashi

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How to Cite

Cinema and the technological capture of time. (2019). Significação: Journal of Audiovisual Culture, 46(52). https://doi.org/10.11606/issn.2316-7114.sig.2019.147840

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