Documentary film and video in Roberto Berliner’s journey: “I almost became a war journalist”
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2021.179192Keywords:
Video, Documentary, The 1980s, Rio de JaneiroAbstract
The importance of Arlindo Machado’s book, Made in Brasil: as linhas de força do video brasileiro, has been to produce – among others subjects – an interrogation about “the new generation of videomakers” from the perspective of the city of Rio de Janeiro. This interview with Berliner seeks to respond partially that question as the filmmaker speaks on his first video’s experiences in the 1980’s. One of the conclusions is that the Circo Voador’s concert venue was a key place to bring about a cultural environment where affectional bonds and video discovery nurture all that generation.
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References
FRANÇA, A. M. “Séries documentais na televisão: o travelling rasante de African Pop”. Galáxia, São Paulo, n. 37, p. 80-93, 2018.
MACHADO, A. (org.). Made in Brasil: as linhas de força do vídeo brasileiro. São Paulo: Itaú Cultura, 2003.
PEDROSA, M. “A face pop dos documentários”. O Globo, Rio de Janeiro, 30 nov. 1990.
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Copyright (c) 2021 Andréa Martins França
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