The intermedial reinvention of cinema

Authors

  • Cecília Mello Universidade de São Paulo

DOI:

https://doi.org/10.11606/issn.2316-7114.sig.2021.186245

Keywords:

Film theory, Intermediality, Remediation, Metalepsis

Abstract

Ágnes Pethő’s book Cinema and intermediality: the passion for the in-between faces the question of intermediality in the cinema with astonishing depth and erudition, and as such it enlightens and opens new paths in film and media theory.

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Author Biography

  • Cecília Mello, Universidade de São Paulo

    Professora Associada no Departamento de Cinema, Rádio e Televisão da Escola de Comunicações e Artes da Universidade de São Paulo (ECAUSP). Autora de The cinema of Jia Zhangke: realism and memory in Chinese film (Londres: Bloomsbury 2019 – Honourable Mention – Best Monograph 2020 – British Association of Film, Television and Screen Studies).

References

PETHŐ, Á. Cinema and intermidiality: the passion for the in-between. 2. ed. Newcastle upon Tyne: Cambridge Scholars Publishing, 2020.

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Published

2021-07-18

Issue

Vol. 48 No. 56 (2021): Arlindo Machado: Conceitos e processos poéticos nas comunicações e artes (I)

Section

Reviews

License

Copyright (c) 2021 Cecília Mello

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How to Cite

The intermedial reinvention of cinema. (2021). Significação: Journal of Audiovisual Culture, 48(56), 285-292. https://doi.org/10.11606/issn.2316-7114.sig.2021.186245