Subjectivity and domestic ethnography in Last Words
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2019.144554Keywords:
documentary, subjectivity, reflexive mode, death, ethnography.Abstract
This article aims to analyze the documentary Last words (1998), from the Dutch filmmaker Johan van der Keuken. Author of more than 50 documentaries, Van der Keuken stands out by his constant experimentation in filmmaking, both with respect to formal aspects and to themes. Last words, one of the filmmaker’s last films, is an example of his entering into the field of the reflexive documentary by recording the last moments of his sister Joke’s life, who is suffering from cancer. The analysis here focusses on the film representation of subjectivity and death and how Van der Keuken makes a domestic ethnography in which he remembers and rethinks, through his sister, his own background and family life.
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Copyright (c) 2019 Beatriz D’Angelo Braz

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