Production and consumption and the Museu de Favela: increasing voices of dodgy areas

Authors

  • Arize Souza Fernandes de Oliveira Universidade Federal do Rio de Janeiro

DOI:

https://doi.org/10.11606/issn.1984-5057.v10i2p110-114

Keywords:

Digital anthropology, Communities, Social media, Favela

Abstract

The book Antropologia Digital e Experiências Virtuais do Museu de Favela describes the experience of increasing the digital communications at Museu de Favela, which has as its heritage the collective memories from Cantagalo, Pavão, and Pavãozinho, slums located in the south zone of Rio de Janeiro. The author analyzes the dweller’s social media habits and highlights the way these media express local cultural meanings. Solidarity, spirituality, political claims and humor are identified both online and offline. 

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Author Biography

  • Arize Souza Fernandes de Oliveira, Universidade Federal do Rio de Janeiro
    Bacharel em Comunicação Social com habilitação em Publicidade e Propaganda pela Universidade Federal do Rio de Janeiro e mestranda no Programa de Pós-Graduação em Psicossociologia de Comunidades e Ecologia Social pela mesma instituição.

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Published

2018-07-12

Issue

Vol. 10 No. 2 (2018): Consumo e suas sensorialidades: do visual, do verbal e do olfativo

Section

REVIEWS

License

Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons BY-NC-SA License.

Licença Creative Commons

 

How to Cite

OLIVEIRA, Arize Souza Fernandes de. Production and consumption and the Museu de Favela: increasing voices of dodgy areas. Signos do Consumo, [S. l.], v. 10, n. 2, p. 110–114, 2018. DOI: 10.11606/issn.1984-5057.v10i2p110-114. Disponível em: https://periodicos.usp.br/signosdoconsumo/article/view/145843.. Acesso em: 23 nov. 2024.