Music industry or the recording industry? The issue of supports and their ‘dematerialisation’ in the music

Authors

  • Eduardo Vicente University of São Paulo (USP), Brazil.

DOI:

https://doi.org/10.11606/issn.1982-677X.rum.2012.55300

Keywords:

Phonographic industry, musical distribution, musical support.

Abstract

The present paper intends to offer a report on the historical development of the phonographic industry under the perspective of its distribution supports. It considers the premise that the matter of the support is essential to understanding both the many characteristics such industry acquired during its history — as economic concentration, linkage to music editors and the relationship between hardware and software — and its current crisis.

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Author Biography

  • Eduardo Vicente, University of São Paulo (USP), Brazil.

    Professor at the Postgraduate Programme in Media and Audiovisual Practice of the University of São Paulo (USP), Brazil. PhD in Communication Studies from teh same university. edduvicente@gmail.com.

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Published

2012-12-02

Issue

Vol. 6 No. 12 (2012)

Section

Articles

License

Declaro a total e irrestrita cessão de direitos autorais sobre o texto enviado para publicação na Rumores – Revista Online de Comunicação, Linguagem e Mídias. Entendo que o conteúdo do artigo é de minha inteira responsabilidade, inclusive cabendo a mim a apresentação de permissão para uso de imagens, ilustrações, tabelas, gráficos de terceiros que, porventura, venham a integrá-lo.

How to Cite

Music industry or the recording industry? The issue of supports and their ‘dematerialisation’ in the music. RuMoRes, [S. l.], v. 6, n. 12, p. 194–213, 2012. DOI: 10.11606/issn.1982-677X.rum.2012.55300. Disponível em: https://periodicos.usp.br/Rumores/article/view/55300.. Acesso em: 1 jun. 2024.