The Poet Durcan & I
DOI:
https://doi.org/10.37389/abei.v22i2.180770Keywords:
Memory, Subjective reflection, Paul DurcanAbstract
A personal and subjective reflection by writer and film-maker Alan Gilsenan on his memories and relationship with Paul Durcan and his poetry. Gilsenan has collaborated with Durcan on three film projects: an experimental film of the long poem Six Nuns Die in Convent Inferno; a documentary profile, Paul Durcan: The Dark School (1944- 1971); and the poet provided the voice for ULYSSES | FILM, a visual installation in response to the iconic novel by James Joyce, commissioned for Dublin’s new MOLI (Museum of Literature Ireland).
References
Durcan, Paul, “Going Home to Mayo, Winter, 1949”, in Sam's Cross: Poems, Portmarnock: Profile Poetry, 1978.
Durcan, Paul, “Hymn To My Father”, in Going Home to Russia, Newtonards: The Blackstaff Press, 1987.
Durcan, Paul, “Ulysses”, in Daddy, Daddy, Newtonards: The Blackstaff Press, 1990.
Durcan, Paul, “Sport”, in Daddy, Daddy, Newtonards: The Blackstaff Press, 1990.
Durcan, Paul, “The Drimoleague Blues”, in A Snail in my Prime: New and Selected Poems, London: Harvill Secker, 1995.
Durcan, Paul, Paul Durcan’s Diary, Dublin: New Island Books, 2003.
Durcan, Paul, The Laughter of Mothers, London: Harvill Secker, 2007.
Durcan, Paul, “Breaking News”, in The Days of Surprise, London: Harvill Secker, 2015.
Durcan, Paul, “Visiting Elizabeth at Home”, in The Days of Surprise, London: Harvill Secker, 2015.
Sirr, Peter and Hartnett, Michael. “The Poet as Black Sheep”, in The Cambridge Companion to Irish Poets, edited by Gerald Dawe, Cambridge University Press, Cambridge, 2017, pp. 294–306.
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Copyright (c) 2020 Alan Gilsenan

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