Demystifying Irish History in Roddy Doyle’s A Star Called Henry

Authors

  • Juan Francisco Elices Agudo

DOI:

https://doi.org/10.37389/abei.v7i1.184265

Keywords:

Roddy Doyle, A Star Called Henry, Irish history

Abstract

Despite its appearance of rigour, the claims of reliability put forward by history have been repeatedly contested. Although this discipline pursues an accurate recollection of objective facts, it seems that it has been exposed to subjective criteria and ideological constraints that have often resulted in biased considerations of particular events. In the case of A Star Called Henry (1999), Roddy Doyle approaches life in Dublin at the beginning of the twentieth century, a period in which the Irish nationhood underwent a decisive transformation. The novel, however, explores these crucial years from the perspective of an ordinary character, Henry Smart, whose sceptical approach to the turbulent reality of his time clashes with the atmosphere of patriotism and nationalistic fervour of the pro-Irish combatants. The aim of this study is to analyse Doyle’s re-examinations of Irish history, which, in the novel, emerges as the metaphorical landscape that embodies the entire narration. My analysis will, therefore, seek to detect the way A Star Called Henry subverts and ironises about assumptions that have been long unquestioned, presenting, instead, a vision that demythologises key moments in Ireland’s past.  

Author Biography

  • Juan Francisco Elices Agudo,

    JUAN FRANCISCO ELICES AGUDO teaches eighteenth and nineteenth century English Literature and New Literatures in English at the Departamento de Filologías Extranjeras y sus Lingüísticas (UNED-Madrid/Spain). . Among his publications are “Deconstructing the Religious Authority through the Use of Animal Imagery in Bernard MacLaverty’s Lamb.” in El Discurso Artístico: Literatura y Poder (2001); “Trespassing Boundaries: Robert McLiam Wilson’s Satirical Trangression in Eureka Street.” Atlantis. The Journal of the Spanish Association for Anglo-American Studies 24 (2002); “Mock- heroic Recollections of London and Belfast in Robert McLiam Wilson’s Ripley Bogle.” In The Representations of Ireland(s): Images from Outside and from Within (2003).

References

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Boyce, D. George. “1916, Interpreting the Rising”, The Making of Modern Irish History: Revisionism and the Revisionist Controversy. Eds. D. George Boyce and Alan O’Day. London and New York: Routledge, 1996. 163-85.

Coogan, Tim Pat. The I.R.A., London: HarperCollins, 1993.

Davis, William A. “Roddy Doyle’s Irish Century.”, 1999. Available at http://www.boston.com/stpatricksday/literature/doyle_globe1.htm.

Doyle, Roddy. A Star Called Henry, London: Vintage, 1999.

Kostick, Conor and Lorcan Collins. The Easter Rising. A Guide to Dublin in 1916, Dublin: The O’Brien P., 2000.

Lee, J. J. Ireland 1912-1985. Politics and Society, Cambridge: Cambridge UP., 1989.

Litton, Helen. Irish Rebellions 1798-1916. An Illustrated History, Dublin: Wolfhound P., 1998.

O’Brien, Brendan. A Pocket History of the I.R.A., Dublin: The O’Brien P., 1997.

Wachel, Eleanor. “In Conversation with Roddy Doyle.” Brick 64 (2000): 62-70.

White, Caramine. Reading Roddy Doyle, Syracuse, New York: Syracuse UP., 2001.

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Published

30-06-2005

Issue

Section

Fiction

How to Cite

Elices Agudo, J. F. (2005). Demystifying Irish History in Roddy Doyle’s A Star Called Henry. ABEI Journal, 7(1), 125-134. https://doi.org/10.37389/abei.v7i1.184265