Mário Pedrosa and Portinari

Notes on a Forgotten Text

Authors

DOI:

https://doi.org/10.11606/issn.2178-0447.ars.2019.154765

Keywords:

Mário Pedrosa, Candido Portinari, Modern Art in Brazil, Murilo Mendes, Ismael Nery

Abstract

This article discusses the text “Pintura e Portinari” by Mário Pedrosa, published in March 1935 and still unknown by a significant number of Brazilian art historians. It also aims to situate this essay in the context of the artistic debate in Brazil during the 1930s, and to present Murilo Mendes’ response later that same year.

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Author Biography

  • Tadeu Chiarelli, Universidade de São Paulo (USP), Brazil

    Tadeu Chiarelli é professor titular no Programa de Pós-Graduação em Artes Visuais da Escola de Comunicação e Artes da Universidade de São Paulo (PPGAV ECA USP). Entre 1983 e 2019, atuou como professor responsável pela disciplina História da Arte no Brasil (sécs. XIX e XX) junto ao Departamento de Artes Plásticas, ECA USP. Curador-chefe do MAM SP (1996-2000); diretor do MAC USP (2010-2014); diretor geral da Pinacoteca de São Paulo (2015-2017). Possui publicações nas áreas de História da Arte e História da Crítica de Arte no Brasil. Atua como curador e crítico de arte. Responsável pela coluna “Conversa de Bar(r)” no site da revista ARTE!Brasileiros .

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Published

2019-08-26

Issue

Vol. 17 No. 36 (2019)

Section

Articles

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How to Cite

Chiarelli, T. (2019). Mário Pedrosa and Portinari: Notes on a Forgotten Text. ARS, 17(36), 21-40. https://doi.org/10.11606/issn.2178-0447.ars.2019.154765