Art, power and tradition

Tiradentes Palace and the construction of a political and republican Brazilian imaginary

Authors

DOI:

https://doi.org/10.11606/issn.2178-0447.ars.2019.158797

Keywords:

Palace, Art, Visuality

Abstract

Inaugurated as the headquarter of the National Congress in 1926, Tiradentes Palace became a national political symbol in the city of Rio de Janeiro and has been consolidated as one of the most representative buildings of Eclecticism in the early 1920s. The purpose of this article is to analyze the construction of a historical representation through the classical tradition present in the decoration of the Palace. Specifically, we seek to understand the role of art as a means of inserting the Palace in a certain political narrative and the role of visuality in the diffusion of social imaginaries.

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Author Biography

  • Douglas de Souza Libório, Universidade Federal do Rio de Janeiro (UFRJ), Brazil

    Douglas de Souza Liborio é graduando do 9º período de bacharelado e licenciatura do curso de História pelo Instituto de História (IH) da Universidade Federal do Rio de Janeiro (UFRJ) e membro do Laboratório de História Antiga (LHIA), com monografia orientada pela Professora Dr.ª Marta Mega de Andrade.

Published

2019-08-31

Issue

Section

Dialogues with Graduation

How to Cite

Libório, D. de S. (2019). Art, power and tradition: Tiradentes Palace and the construction of a political and republican Brazilian imaginary. ARS, 17(36), 271-287. https://doi.org/10.11606/issn.2178-0447.ars.2019.158797