The Condition of Exile: David Perlov's Permanence behind the Image in Diary 1973-1983
DOI:
https://doi.org/10.11606/issn.2178-0447.ars.2023.201112Keywords:
Diary 1973 - 1983, Filmic Diary, Exile, Narration, ImageAbstract
The article proposes a reflection on the condition of exile in the work Diary 1973-1983 by David Perlov, a Brazilian filmmaker based in Israel, beyond its usual conception (that of a filmmaker retreating into his own apartment from where he would produce the first images of his filmic diary). Taking as a starting point the feeling of foreignness that the filmmaker carried and his announced desire to document everyday life (the facts and nothing else), I present an exile of a different nature that is characterized as a retreat behind the image or to a metaphysical space-time between image and spectators.
Downloads
References
BENJAMIN, Walter. O Narrador. Considerações sobre a obra de Nikolai Leskov. In Obras escolhidas I. Magia e técnica, arte e política: ensaios sobre literatura e história da cultura. São Paulo: Brasiliense, 1987.
FAMPA, Gabriel. A condição do exílio. 2018. Dissertação (Mestrado em Linguagens Visuais). Escola de Belas Artes –Universidade Federal do Rio de Janeiro. Rio de Janeiro. 2018.
FELDMAN, Ilana. As janelas de David Perlov: autobiografia, luto e política. In Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG, vol. 11, n. 20, 2017. Disponível em: https://9h.fit/SmN3OE. Acesso em: 2 ago. 2022.
FELDMAN, Ilana. David Perlov: epifanias do cotidiano. In FELDMAN, Ilana; MOURÃO, Patrícia (org.) David Perlov: epifanias do cotidiano. São Paulo: Centro da Cultura Judaica, 2011.
HALKIN, Talya. The Diary of David Perlov. The Jerusalem Post, 23 out. 2003. Disponível em: http://davidperlov.com/text/The_Diary_of_David_Perlov.pdf. Acesso em: 2 ago. 2022.
DIDI-HUBERMAN, Georges. Quando as imagens tomam posição – O olho da história, I. Belo Horizonte: Editora UFMG, 2017.
LAGOS LABBÉ, Paola. Viajes de ida y retorno entre la pertenencia y el desarraigo. La construcción narrativa del hogar y la identidad en los diarios cinemautobiográficos de David Perlov. Revista Internacional de Comunicación Audiovisual, Publicidad y Estudios Culturales, n. 10, p. 531-546, 2012.
PERLOV, David. My Diaries. 2004. Disponível em: http://davidperlov.com/text/My_Diaries.pdf. Acesso em: 25 mai. 2023.
Downloads
Published
Issue
Section
License
Copyright (c) 2023 Gabriel Fampa
This work is licensed under a Creative Commons Attribution 4.0 International License.
The responsibility for obtaining written permission to use in the articles materials protected by copyright law lies entirely with the author(s). Ars is not responsible for copyright breaches made by its collaborators.
The authors have the copyrights and grant the journal the right of the first publication, with the article licensed under the Creative Commons BY-CC License.
Licensees have the right to copy, distribute, display, and carry out the work and make derivative works from it, including with commercial purposes, granted that they give the due credit to the author or licensor, as specified by them.
Licensees compromise to inform the appropriate credit, provide a link to the license, and indicate if changes were made.
Respected the terms of the license, the licensors/authors are not allowed to revoke the conditions above mentioned.
After the publication of the articles, the authors keep the copyrights and the rights to republish the text exclusively in unpublished books and collections.