Between Attention and Reverie: Late Cézanne and the Emerging Visuality in the Threshold of the Twentieth Century
DOI:
https://doi.org/10.11606/issn.2178-0447.ars.2022.204338Keywords:
Visuality, Late Cézanne, Destabilization, AttentionAbstract
This article proposes a reflection about the emblematic role that the late Cézanne assumed in relation to the emerging visuality in the threshold of the twentieth century. After a brief description of the theoretical bias adopted here (history of visuality), I present the way in which Cezanne’s late work intended to demonstrate a continuity between attention and reverie, although through a paradigmatic destabilization of vision. Finally, I argue that such destabilization points out two distinct instances: on the one hand, it alludes to an imminent model of passive automatism of vision; on the other, it raises new perceptual possibilities based on the unrepeatable singularity of vision.
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