The theater and the gambiarra: contemporary aspects
DOI:
https://doi.org/10.11606/issn.2238-3999.v10i2p129-144Keywords:
capitalism, dramaturgy, Market, Scenography, TacticsAbstract
This text reflects on how the universe of gambiarra (Rodrigo Boufleur) is present in contemporary theatrical work. For this purpose, the relationship between the theater and the beginning of modernity is traced, the transformations occurred by the insertion of the market from the clash between the Old and New World. Davi Kopenawa, Ailton Krenak and Sérgio de Carvalho support this perspective. The scenic creations of the mineiro group Quatroloscinco Teatro do Comum attest to the theoretical corpus, demonstrating scenographically and dramaturgically visible aspects of the gambiarra.
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