When realistic aesthetics become symbolic: Peter Brook's Cherry Orchard (1981)

Authors

  • Sergio Ricardo Lessa Ortiz Universidade de São Paulo. Centro Universitário Belas Artes de São Paulo

DOI:

https://doi.org/10.11606/issn.2238-3999.v10i2p117-128

Keywords:

Set design, Costume design, Chekhov, Peter Brook, Symbolic scenography

Abstract

This article addresses questions about the design process of the visual elements of the play Cherry Orchard by Peter Brook. Above all, it highlights the understanding of the impact of the symbolic thought for the spectacle set design on the costume design elaborated by Chloé Obolensky, a scenographer who debuted with this montage at the International Theater Research Center in 1981.

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Author Biography

  • Sergio Ricardo Lessa Ortiz, Universidade de São Paulo. Centro Universitário Belas Artes de São Paulo

    Universidade de São Paulo / Centro Universitário Belas Artes de São Paulo; Doutor; Pesquisa concluída em 2020. Cenograa e Traje de cena. Fausto Roberto Poço Viana. Professor de Arquitetura e Urbanismo e Artes Cênicas, Coordenador da Pós-Graduação em Cenograa e Figurino no Centro Universitário Belas Artes de São Paulo.

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Published

2020-12-31

Issue

Vol. 10 No. 2 (2020): Visualidades das Cenas

Section

Artigos (Articles)

License

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How to Cite

Ortiz, S. R. L. (2020). When realistic aesthetics become symbolic: Peter Brook’s Cherry Orchard (1981). Revista Aspas, 10(2), 117-128. https://doi.org/10.11606/issn.2238-3999.v10i2p117-128