The narrator´s relay or the narrative art in J. C. Onetti
DOI:
https://doi.org/10.11606/issn.2317-9651.v0i2p266-290Abstract
In this paper we aim to develop the category of the narrator´s relay in the writing of the uruguayan Juan Carlos Onetti from the analysis of the procedures applied in three of his stories of the decade of'50. On tye basis of these narratological instances ("El album", 1953; Los adioses, 1954; y Para una tumba si nombre 1959) the traditional postulates of the Realism are undermined to result in an own aesthetics that will renew the canon of the Latim-American narrative.Downloads
Download data is not yet available.
Downloads
Published
2011-12-07
Issue
Section
Varia
License
Authors who publish in this journal agree to the following terms:
- Authors retain copyright and grant the journal the right of first publication, with the work simultaneously licensed under a Creative Commons Attribution License, which permits the dissemination of the work with recognition of authorship and initial publication in this journal.
- Authors are allowed to enter into additional contracts separately for non-exclusive use of the version of the work published in this journal (such as publication in an institutional repository or as a book chapter), with recognition of authorship and initial publication in this journal.
- Authors are allowed and encouraged to publish and distribute their work online (e.g., in institutional repositories or on their personal page) at any point before or during the editorial process, as this can generate productive changes, as well as increasing the impact and citation of the published work (see The effect of open access…).
How to Cite
LINARES, Maximiliano. The narrator´s relay or the narrative art in J. C. Onetti. Caracol, São Paulo, Brasil, n. 2, p. 266–290, 2011. DOI: 10.11606/issn.2317-9651.v0i2p266-290. Disponível em: https://periodicos.usp.br/caracol/article/view/57665.. Acesso em: 18 may. 2024.