No. 12: (jul-dec 2016) Dossier: Trauma, memory and theater

Published: 2016-12-26

Presentation

• Una memoria puesta en escena

  Diego Santos Sánchez

  9-17

  • PDF (Spanish)
  • XML (Spanish)

Dossier

• Inhabiting a ruin from the present: traces of the horror, the resistance and the grief. On La Ilíada by Teatro de los Andes (2000)

  María Gabriela Aimaretti

  18-51

  • PDF (Spanish)
  • XML (Spanish)

• Memory or oblivion? Dealing with the present identity in relation to the ghosts of the past in Cristina Escofet’s Té de tías

  Rocio Zalba

  52-75

  • PDF (Spanish)
  • XML (Spanish)

• On women, picaroons and escapes: memories from de Malvinas War.

  Veronica Perera

  76-99

  • PDF (Spanish)
  • XML (Spanish)

• Visibility of violence in contemporary Latin-American theater: El año en que nací, by Lola Arias, La mujer puerca y Mau Mau, o la tercera parte de la noche, by Santiago Loza

  Júlia Morena Costa, Sara Rojo

  100-123

  • PDF (Spanish)
  • XML (Spanish)

• Crossing stages. Argentine trauma in Spanish theater: Raúl Hernández Garrido’s Si un día me olvidaras

  Luz Celestina Souto Larios

  124-151

  • PDF (Spanish)
  • XML (Spanish)

• “Pesan los muertos de ayer y de mañana”. Arabian-Israeli conflict in contemporary Spanish theater

  Paola Bellomi

  152-179

  • PDF (Spanish)
  • XML (Spanish)

• The critical reception of Juan Mayorga’s Himmelweg first performance in Madrid

  Manuel Aznar Soler

  180-205

  • PDF (Spanish)
  • XML (Spanish)

Interviews

• “¿Quién escribe mis palabras?”. An interview with Juan Mayorga

  Berta Muñoz Cáliz

  206-225

  • PDF (Spanish)
  • XML (Spanish)

Varia

• A hard translation: The "Rebentado" word in José María Arguedas’ writing

  Afonso Rocha Lacerda

  226-251

  • PDF (Portuguese)
  • XML (Portuguese)

Book Reviews

• Fabián e o caos

  Valdemar Valente Junior

  252-257

  • PDF (Portuguese)
  • XML (Portuguese)

• El discurso sobre el ensayo en la cultura argentina desde los 80

  Mariana Catalin

  258-268

  • PDF (Spanish)
  • XML (Spanish)