The preraphaelit dialogue between D’Annunzio and Alma Tadema
DOI:
https://doi.org/10.11606/issn.1984-1124.v1i25p68-88Keywords:
Gabriele D’Annunzio, Preraphaelism, Alma Tadema, ÉkphrasisAbstract
The interaction between words and images is perpetual. Sometimes the relationship is conflictual, sometimes a state of cooperation prevails. It is not unusual that to compensate the absence of one of the opponents, the other one evokes his presence: images illustrate words and words describe images. This last strategy is precisely ékphrasis, one of the many ways in which the relation between literature and the figurative arts, especially painting, is manifested. It is only a word, but its meaning is not univocal. Discussions on the character of ékphrasis are intertwined with other disputes about the relations between the two arts with great intensity in the work of the Italian Gabriele D'Annunzio. It will deal with the relations and dialogues between Dannunzio’s writings (journalism, prose and poetry) and the pictorial work of the PreRaphaelite painter Sir Lawrence Alma Tadema.
Downloads
Download data is not yet available.
References
ANDREOLI, A. Introduzione. In: D’ANNUNZIO, G. Scritti giornalistici 1882-1888. V. I. (Org. Annamaria Andreoli) Milano: Arnoldo Mondadori Editore, 1996, p. XI-L.
ANDREOLI, A. Note. In: D’ANNUNZIO, G. Prose di Romanzi. V. I (Org. Annamaria Andreoli) Milano: Arnoldo Mondadori Editore, 1988 p. 1108-1112.
D’ANNA. R. Roma preraffaelita: note su Gabriele D’Annunzio, Diego Angeli, Giulio Aristide Sartori. Roma: Accademia dei Lincei, 1996.
D’ANNUNZIO, G. Il piacere. Firenze: Giunti Editore, 2009.
D’ANNUNZIO, G. Scritti giornalistici 1882-1888. V. I. (Org. Annamaria Andreoli.) Milano: Arnoldo Mondadori Editore, 1996.
D’ANNUNZIO, G. L’isotteo – La chimera. Milano: Fratelli Treves Editori, 1890.
D’ANNUNZIO, G. Intermezzo di rime. Roma: Casa Editrice A. Sommaruga E Cº, 1884.
EBERS, G. Lorenz Alma Tadema his life and works. Trad. Mary J. Safford. New York: William S. Gottsberger Publisher, 1886.
FORCELLA, R. “Lettere a Enrico Nencioni (1880-1896). Nuova Antologia, v. CDIII, n. XVIII. Roma: Società Autonoma “La Nuova Antologia”, p. 3-30, 1939.
GIBELLINI, P. Introduzione. In: D’ANNUNZIO, G. Siamo spiriti azzurri e stelle: diario inedito (17-27 agosto 1922). Firenze: Giunti, 1995, p. I-XL
GOLAHNY, A. “Introduction: Ekpkrasis in the Interarts Discourse”. In: GOLAHNY, A. (org.) The eye of the Poet: Studies in reciprocity of the Visual and Literary Arts from the Renaissance to the Present. Cranbury: Associated UP, p. 11-18, 1996.
HAGSTRUM, J. H. The sister Arts: the tradition of Literary Pictorialism and English Poetry from Dryden to Gray. Chicago: The University of Chicago Press, 1958.
HEFFERNAN, J.A.W. Museum of Words: the poetics of Ekphrasis from Homer to Ashbery, Chicago/London: The University of Chicago Press, 1993.
HERMOSILLA, M. R. H. “D’Annunzio e Nencioni: descrizioni del personaggio femminile e ascendenza nencioniane nel “Piacere”.” Studi Novecenteschi, v. 30, n. 30, p. 209-273, 1995.
PRAZ, M. Cronache letterarie anglossassoni: volume I, cronache inglesi. 2 ed. Roma: Edizioni di Storia e Letteratura, 2005.
RICORDA, R. “Benedetto Croce, Angelo Conti e “altri estetizzanti””. Lettere Italiane, v. 47, n.3 (luglio-settembre), p. 400-422, 1995.
ROBILLARD, V. “In Pursuit of Ekphrasis (an intertextual approach)”. In: ROBBILLARD, V.; JONGENEEL, E. (orgs.) Pictures into Words: theoretical and descriptive approaches to ekphrasis. Amsterdam: VU University Press, p. 53- 72, 1998.
RUBINS, M. Crossroads of Arts, crossroads of Cultures: ecphrasis in Russian and French Poetry. New York: Palgrave, 2000.
SPEZIALI, A (org.). Giuseppe Sommaruga (1867-1917) un protagonista del Liberty. Forlì: Carta Canta, 2017.
TAVOLA, M. Dizionario dell’arte. Milano: Alpha Test, 2010.
TOSCANI, O. “La pittura all’esposizione di Roma”. La rassegna italiana. Roma, Anno III, v. II, n. 2, p. 267-278, 1883.
ANDREOLI, A. Note. In: D’ANNUNZIO, G. Prose di Romanzi. V. I (Org. Annamaria Andreoli) Milano: Arnoldo Mondadori Editore, 1988 p. 1108-1112.
D’ANNA. R. Roma preraffaelita: note su Gabriele D’Annunzio, Diego Angeli, Giulio Aristide Sartori. Roma: Accademia dei Lincei, 1996.
D’ANNUNZIO, G. Il piacere. Firenze: Giunti Editore, 2009.
D’ANNUNZIO, G. Scritti giornalistici 1882-1888. V. I. (Org. Annamaria Andreoli.) Milano: Arnoldo Mondadori Editore, 1996.
D’ANNUNZIO, G. L’isotteo – La chimera. Milano: Fratelli Treves Editori, 1890.
D’ANNUNZIO, G. Intermezzo di rime. Roma: Casa Editrice A. Sommaruga E Cº, 1884.
EBERS, G. Lorenz Alma Tadema his life and works. Trad. Mary J. Safford. New York: William S. Gottsberger Publisher, 1886.
FORCELLA, R. “Lettere a Enrico Nencioni (1880-1896). Nuova Antologia, v. CDIII, n. XVIII. Roma: Società Autonoma “La Nuova Antologia”, p. 3-30, 1939.
GIBELLINI, P. Introduzione. In: D’ANNUNZIO, G. Siamo spiriti azzurri e stelle: diario inedito (17-27 agosto 1922). Firenze: Giunti, 1995, p. I-XL
GOLAHNY, A. “Introduction: Ekpkrasis in the Interarts Discourse”. In: GOLAHNY, A. (org.) The eye of the Poet: Studies in reciprocity of the Visual and Literary Arts from the Renaissance to the Present. Cranbury: Associated UP, p. 11-18, 1996.
HAGSTRUM, J. H. The sister Arts: the tradition of Literary Pictorialism and English Poetry from Dryden to Gray. Chicago: The University of Chicago Press, 1958.
HEFFERNAN, J.A.W. Museum of Words: the poetics of Ekphrasis from Homer to Ashbery, Chicago/London: The University of Chicago Press, 1993.
HERMOSILLA, M. R. H. “D’Annunzio e Nencioni: descrizioni del personaggio femminile e ascendenza nencioniane nel “Piacere”.” Studi Novecenteschi, v. 30, n. 30, p. 209-273, 1995.
PRAZ, M. Cronache letterarie anglossassoni: volume I, cronache inglesi. 2 ed. Roma: Edizioni di Storia e Letteratura, 2005.
RICORDA, R. “Benedetto Croce, Angelo Conti e “altri estetizzanti””. Lettere Italiane, v. 47, n.3 (luglio-settembre), p. 400-422, 1995.
ROBILLARD, V. “In Pursuit of Ekphrasis (an intertextual approach)”. In: ROBBILLARD, V.; JONGENEEL, E. (orgs.) Pictures into Words: theoretical and descriptive approaches to ekphrasis. Amsterdam: VU University Press, p. 53- 72, 1998.
RUBINS, M. Crossroads of Arts, crossroads of Cultures: ecphrasis in Russian and French Poetry. New York: Palgrave, 2000.
SPEZIALI, A (org.). Giuseppe Sommaruga (1867-1917) un protagonista del Liberty. Forlì: Carta Canta, 2017.
TAVOLA, M. Dizionario dell’arte. Milano: Alpha Test, 2010.
TOSCANI, O. “La pittura all’esposizione di Roma”. La rassegna italiana. Roma, Anno III, v. II, n. 2, p. 267-278, 1883.
Downloads
Published
2019-12-27
Issue
Section
Articles
License
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors can enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) before and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
How to Cite
Bona, F. D. (2019). The preraphaelit dialogue between D’Annunzio and Alma Tadema. Revista Criação & Crítica, 1(25), 68-88. https://doi.org/10.11606/issn.1984-1124.v1i25p68-88
