Behind the mask. Truth in semiotics
DOI:
https://doi.org/10.11606/issn.1980-4016.esse.2022.194353Keywords:
Veridition, Lie, Mask, Schnitzler, SemioticsAbstract
The article proposes a reflection, conducted with the tools of semiotics, on truth and its misrepresentations (masks, secrets), through the analysis of a story: Double Dream (Traumnovelle, 1926) by Arthur Schnitzler. After an excursus on some conceptions of truth, derived both from philosophical discourse and from everyday practice, the textual analysis is aimed at showing how discursive processes, as they are staged by the story, present a wide interweaving of different "truthful" practices, such as ascertainment, confession, investigation, testing, unmasking, simulation and dissimulation. Practices that are in turn related to different conceptions and valorizations of truth. Finally, the article focuses on the role of the "mask", in the processes of thematization and actoralization, as a means of concealment and revelation.
Downloads
References
ARENDT, Anna. Verità e politica. Torino: Boringhieri, 1995.
ARENDT, Anna. La menzogna in politica. Bologna: Marietti, 2018.
BARTHES, Roland. Mythologies. Paris: Seuil, 1957.
DAMISCH, Hubert. Maschera. In: ENCICLOPEDIA Einaudi. v. 8. Torino: Einaudi, 1980.
DERRIDA, Jacques. La vérité en peinture. Paris: Flammarion, 1978.
DERRIDA, Jacques. Histoire du mensonge. Paris: Editions de L’Herne, 2005.
DETIENNE, Marcel; VERNANT, Jean Pierre. Les maitres de vérité dans la Grèce archaïque. Paris: Maspero, 1967.
ECO, Umberto. I limiti dell’interpretazione. Milano: Bompiani, 1990.
EYES wide shut. Direção de Stanley Kubrick. EUA: Warner Bros, 1999.
FONTANILLE, Jacques. Figure del corpo. Roma: Meltemi, 2004.
FONTANILLE, Jacques; ZILBERBERG, Claude. Tension et signification. Bruxelles: Mardaga, 1998.
FOUCAULT, Michel. Discorso e verità nella Grecia antica. Corso tenuto a Berkeley nell’autunno del 1983. Bari: Donzelli, 2005.
FOUCAULT, Michel. Mal faire, dire vrai: fonction de l’aveu en justice. Cours de Louvain, 1981. Louvain: Presses Universitaires de Louvain, 2012.
GENETTE, Gerard. Fiction et diction. Paris: Seuil, 1991.
GREIMAS, Algirdas Julien. Du sens II: Essais semiotiques. Paris: Seuil, 1983.
GREIMAS, Algirdas Julien; FONTANILLE, Jacques. Sémiotique des passions: des états de choses aux états d’âme. Paris: Seuil, 1991.
HEIDEGGER, Martin. Segnavia. Tr. it. di Wegmarken, 1976. Milano: Adelphi, 1987.
KANT, Immanuel. Sul presunto diritto di mentire per amore dell’umanità. In: Scritti politici e di filosofia e storia del diritto. Tr. it. di Über ein vermeintes Recht aus Menschensliebe zu lügen, 1797. Torino: UTET, 1956. p. 359-365.
KOYRE, Alexander. The political function of the modern lie. Contemporary Jewish Record, vol. 8, p. 290-300, 1945 [1943].
LANCIONI, Tarcisio. Us and its Body. In: PEZZINI, Isabella (ed.). Paolo Fabbri. Unfolding Semiotics. Pour la sémiotique à venir. Thessaloniki, Greece: Punctum. Semiotics Monographs. Hellenic Semiotic Society, 2021. p. 87-96.
LANDOWSKI, Eric. Les interactions risquées. Limoges: Pulim, 2005.
LORUSSO, Annamaria. Postverità. Bari-Roma: Laterza, 2018.
MARIN, Louis. De la répresentation. Paris: Seuil/Gallimard, 1994.
MARIN, Louis. Masque et portrait. Ed. a cura di Paolo Fabbri. Rimini: Guaraldi, 2015.
NIETZSCHE, Friedrich. Verità e menzogna in senso extramorale. Tr. it. di
Über Wahrheit und Lüge im außermoralischen Sinne, 1873. Milano: Adelphi, 2015.
PESSOA, Fernando. Autopsicografia. In: Una sola moltitudine. v. 1. Milano: Adelphi, 1979.
RASHOMON. Directed by Akira Kurosawa. Japan: Daiei, 1950. 1 DVD (88 min).
RICOEUR, Paul. Temps et récit. 3 vol. Paris: Seuil, 1983-1985.
ROUSSEAU, Jean Jacques. Le passeggiate solitarie. In: Opere. Vol. 2. Firenze: Sansoni, 1989 [1778].
SCHNITZLER, Arthur. Doppio sogno. Tr. it. di Traumnovelle, 1926. In: Opere. Milano: Mondadori Meridiani, 1988.
TAGLIANI, Giacomo. Estetiche della verità: Pasolini, Foucault, Petri. Cosenza: Pellegrini, 2020.
VERITÀ. In: ZINGARELLI Dizionario della lingua italiana. Bologna: Zanichelli, 2018.
Downloads
Published
Issue
Section
License
Copyright (c) 2022 Tarcisio Lancioni
![Creative Commons License](http://i.creativecommons.org/l/by-nc-sa/4.0/88x31.png)
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
The authors grant the journal all copyrights relating to the work published. The concepts expressed in signed articles are absolute and exclusive responsibility of their authors.