The representation about the tragedy in Mariana buried photographs and surviving images
DOI:
https://doi.org/10.11606/issn.2525-3123.gis.2018.142387Keywords:
Mariana, Disaster, Photography, Image, MontageAbstract
In this essay, I present an investigation process based on images produced about the tragedy of the Fundão tailings dam rupture, at the Alegria complex of the mining company Samarco (controlled by Vale and BHP Billiton), in Bento Rodrigues, city of Mariana (MG). Through the journalistic and artistic photographs that tried to reveal what had happened, I have sought to analyze the notion of disaster and the representation used to classify and portray this tragedy. Furthermore, as of questions arising from this brief analysis, I have proposed a work of deformation, montage, and restitution of those images, as a way of playing with metaphors from the remaining leftovers.
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