Sembapatrimonioimaterial.com: local performances, imagined national narratives, dialogue from the field
DOI:
https://doi.org/10.11606/issn.2525-3123.gis.2021.174219Keywords:
Semba in Angola, Cultural heritage, Imagined communities and communities of practices, Collaborative ethnographyAbstract
Developments in semba in Angola, from "live" to "online" performances, and its heritagization, have provoked much discussion among its communities of practice (Wenger-Trayner and Wenger-Trayner 2015) and other imagined communities (Anderson 1983). This article concerns on-going research, based on collaborative work with key interlocutors on the compilation of the website sembapatrimonial.com as a methodological approach. Based on a series of collaborative posts, the interlocutors discuss dissensus (Rancière and Corcoran 2010) in the various visions and versions of heritage in the present, a process of “past-presencing” (Macdonald 2013).
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