Audiovisual Ethnomusicology: an old-new field of study
DOI:
https://doi.org/10.11606/issn.2525-3123.gis.2022.191615Keywords:
Ethnomusicology, Audiovisual, Musical cultures, Music, FilmAbstract
Review of Audiovisual Ethnomusicology: Filming Musical Cultures, by Leonardo D'Amico. Bern: Peter Lang, 2020, 470 p.
Downloads
References
Araujo, Samuel e José Alberto Salgado e Silva. 2009. Musical Knowledge, Transmission, and Worldviews: Ethnomusicological Perspectives from Rio de Janeiro, Brazil. The World of Music, v. 51, n. 3: 93-110.
Baily, John. 1988. ICTM Colloquium on Film and Video. Yearbook for Traditional Music, v. 20: 193–198.
Baily, John. 1989. Filmmaking as Musical Ethnography. The World of Music, v. 31, n. 3: 3–20.
Baily, John. 2009. The Art of the ‘Fieldwork Movie’: 35 Years of Making Ethnomusicological Films. Ethnomusicology Forum, v. 18, n. 1: 55–64.
Banks, Marcus e Howard Morphy (ed.). 1997. Rethinking visual anthropology. New Haven; London: Yale University Press.
Banks, Marcus e Jay Ruby. 2012. Made to be seen: perspectives on the history of visual anthropology. Chicago: University of Chicago Press.
Barbash, Ilisa e Lucien Taylor. 1997. Cross-cultural Filmmaking: A Handbook for Making Documentary and Ethnographic Films and Videos. Berkeley: University of California Press.
Crawford, Peter e David Turton (ed). 1992. Film as Ethnography. Manchester: Manchester University Press.
Dauer, Alfons Michael. 1969. Research Films in Ethnomusicology: Aims and Achievements. Yearbook of the International Folk Music Council, v. 1: 226–233.
De Heusch, Luc. 1962. Cinéma et sciences sociales: panorama du film ethnographique et sociologique. Paris: Ateliers de l’Unesco.
Feld, Steven. 1976. Ethnomusicology and Visual Communication. Ethnomusicology, v. 20, n. 2: 293–325.
Grimshaw, Anna. 2008. The Ethnographer's Eye: Ways of Seeing in Modern Anthropology. Cambridge: Cambridge University Press.
Harbert, Benjamin J. 2018. American Music Documentary: Five Case Studies of Ciné-Ethnomusicology. Middletown: Wesleyan University Press.
Henley, Paul e Carlos Flores. 2009. Reflections of an ethnographic filmmaker-maker: an interview with Paul Henley. American Anthropologist, v. 111, n. 1: 93-99.
Hockings, Paul (ed.). 1995. Principles of Visual Anthropology. Berlin; New York: Mouton de Gruyter.
Hood, Mantle. 1971. The Ethnomusicologist. New York: McGraw-Hill.
Killick, Andrew. 2013. Visual Evidence in Ethnomusicology. In The Routledge Companion to Music and Visual Culture, ed. Tim Shephard e Anne Leonard, 75–84. London/New York: Routledge.
Kozinetz, Robert V. 2014. Netnografia: realizando pesquisa etnográfica online. Porto Alegre: Penso.
MacDougall, David. 1998. Transcultural Cinema. Princeton, NJ: Princeton University Press.
MacDougall, David. 2006. The corporeal image: film, ethnography, and the senses. Princeton: Princeton University Press.
Peixoto, Clarice E. 2019. Antropologia & Imagens: o que há de particular na antropologia visual brasileira? Cadernos de Arte e Antropologia, v. 8, n. 1: 131-146.
Pink, Sarah. 2001. Doing visual ethnography: images, media, and representation in research. London: Sage.
Rice, Timothy. 2014. Ethnomusicology: A Very Short Introduction. New York: Oxford University Press.
Rouch, Jean. 1974. The Camera and Man. Studies in the Anthropology of Visual Communication, v. 1, n. 1: 37–44.
Ruby, Jay. 2000. Picturing culture: explorations of film and anthropology. Chicago: University of Chicago Press.
Titon, Jeff Todd. 1992. Representation and Authority in Ethnographic Film/Video: Production. Ethnomusicology, v. 36, n. 1: 89–94.
Zemp, Hugo. 1988. Filming Music and Looking at Music Film. Ethnomusicology, v. 32, n. 3: 393–427.
Zemp, Hugo. 1990. Ethical Issues in Ethnomusicological Filmmaking. Visual Anthropology, v. 3, n. 1: 49–64.
Downloads
Published
Issue
Section
License
Copyright (c) 2022 Yuri Prado
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Authors who publish in this journal agree to the following terms:
a. All rights reserved for authors. Journal has right to first publication. Work is simultaneously licensed under Creative Commons Attribution License which permits sharing work with recognition of authorship and initial publication in this journal for non-commercial ends.
b. Authors are authorized to separately make additional contracts for non-exclusive distribution of version of work published in this journal (e. g. publish in institutional repository or as book chapter), with recognition of authorship and initial publication in this journal.
Funding data
-
Fundação de Amparo à Pesquisa do Estado de São Paulo
Grant numbers 2019/27545-3