Attitude: unfoldings and confrontations of the actor’s training in the creative process of the play Cidade Submersa

Abstract

The purpose of this article is to delimit the concept of attitude as a praxis’ element in the work developed by the actors from IMPULSO Coletivo during the creative process of the play Cidade Submersa. The text is presented as a process report, which approaches various stages about the attitude concept during the creative process, from its emerging as a work’s metaphor during the actors’ training, till its unfolding as a key-notion that grew beyond the rehearsal boundaries of a closed space and a predetermined time, in so far as the creative process broadened out as a policy proposal in Vila Itororó community, localized in Bela Vista, São Paulo. The attitude’s notion has designed itself as an active posture that merges ethics and technical’s aspects in order to enables the actor to become involved in the creative’s experience in an entire way.