Escrituras do grito em Antonin Artaud

Abstract

This text arises from the listening-reading experience of the works of Antonin Artaud and brings together the testimony effects in the constructions of the poet about a moment of looseness between the voice and the word, giving rise to the scream. This study about the voice and attempts of writing the unspeakable leads to an accessory question about the body. In this structure, based on the psychoanalysis threads, lalangue – as a theoretical articulator encompassing body and word, voice, and writing – stands out. Based on lalangue the essay is directed to the work of Artaud to travel along the scream path from the emptiness of the unanchored voice of the word in a moment of fall of the subject to space/time of addressing and existence. An existence that will be supported and embodied in the work of Artaud.