Cartografias transatlânticas da música popular nas Américas

Authors

  • Marcos Napolitano Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas

DOI:

https://doi.org/10.11606/issn.2316-9036.v0i123p45-58

Keywords:

music in Americas: history, musical genres: 19th and 20th centuries, popular music: Atlantic connections

Abstract

Popular music is often analyzed from national “musical genres.” We just need to recollect the most traditional musical genres of the American continent, such as samba, jazz, rumba, bolero and tango, so that our cultural memory relates them to their countries of “origin”: Brazil, the United States, Cuba, Mexico, and Argentina, respectively. The historiography of music has been problematizing this approach based on the national panorama for some time. In this line, we propose a mapping focused on the musical exchange between Europe, Americas, and Africa.

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Published

2019-12-16

Issue

No. 123 (2019): HISTÓRIAS CULTURAIS TRANSATLÂNTICAS

Section

dossiê histórias culturais transatlânticas

License

Pertence à revista. Uma vez publicado o artigo, os direitos passam a ser da revista, sendo proibida a reprodução e a inclusão de trechos sem a permissão do editor.

  

 

How to Cite

NAPOLITANO, Marcos. Cartografias transatlânticas da música popular nas Américas. Revista USP, São Paulo, Brasil, n. 123, p. 45–58, 2019. DOI: 10.11606/issn.2316-9036.v0i123p45-58. Disponível em: https://periodicos.usp.br/revusp/article/view/165110.. Acesso em: 9 mar. 2025.