Revelations from the theater of the obvious truth

Authors

DOI:

https://doi.org/10.11606/issn.2317-4765.rus.2022.195509

Keywords:

Poetic theater, Contemporaneity, Aleksandr Blok

Abstract

The purpose of this article is to analyze a staging from 1977 by the director Giedrius Mackevičius, founder of the Teater of Plastic Dram, based on the texts “Balagantchik” and “Dvenatsat’”, by Aleksándr Blok. It is a show entitled ‘Metel’, which proposes an exclusively non-verbal artistic language: dynamics and forms of the human body, music and physical movement, visual arts and spatial compositions.

Downloads

Download data is not yet available.

Author Biographies

  • Vadim Scherbakov, Instituto Estatal de Pesquisa de Arte de Moscou. Faculdade de Estudos Teatrais do Instituto Russo de Arte Teatral A. V. Lunacharsky

    Diretor de pesquisa e publicação da herança artística de V.E. Meyerhold no Instituto Estatal de Pesquisa de Arte de Moscou. Faculdade de Estudos Teatrais do Instituto Russo de Arte Teatral A. V. Lunacharsky. Diretor editorial da revista “Questões do Teatro”. Seus temas de pesquisa incluem a história da direção teatral e o teatro da Máscara.

  • Daniela Mountian, Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas. Departamento de Teoria Literária e Literatura Comparada.
    Pós-doutoranda do Departamento de Teoria Literária e Literatura Comparada da Faculdade de Filosofia, Letras e Ciências Humanas da Universidade de São Paulo. https://orcid.org/0000-0001-6313-6050; dmountian@gmail.com

References

CAMPOS, Augusto de; CAMPOS, Haroldo de; SCHNAIDERMANN, Boris (org. e trad.). Poesia russa moderna. São Paulo: Perspectiva, 2001.

HORA, Danilo. Os dramas líricos de Aleksandr Blok: tradução e comentário. Dissertação (Mestrado em Letras) – Faculdade de Filosofia, Letras e Ciências Humanas, Universidade de S. Paulo, 2019.

PICON-VALLIN, Béatrice. O Balagan na história do teatro do século XX. In: A cena em ensaios. São Paulo: Perspectiva, 2008.

Downloads

Published

2022-04-28

Issue

Vol. 13 No. 21 (2022): Teatro russo.

Section

Artigos

License

Copyright (c) 2022 Vadim Scherbakov; Daniela Mountian

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Authors who publish in RUS agree to the following terms:

a. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution 4.0 International License (CC BY-NC-SA 4.0) that allows others to share the work with an acknowledgement of the work’s authorship and initial publication in this journal.

b. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal’s published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.

c. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).

How to Cite

Scherbakov, V. (2022). Revelations from the theater of the obvious truth (D. Mountian , Trans.). RUS (Sao Paulo), 13(21). https://doi.org/10.11606/issn.2317-4765.rus.2022.195509

Funding data