Historicity of cinema
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2017.133369Keywords:
history, cinema, Jacques Rancière, aesthetic regime.Abstract
This article of Jacques Rancière, originally published in 1998 in the book De l’histoire au cinéma, organized by Antoine de Baecque and Christian Delage, covers the historicity of the cinema, since this historicity is closely related to the “aesthetic regime of art,” which is a regime of comprehension of art, in its distinction between sensible and thinkable. Cinema, analyzed within the “aesthetic regime,” relates to its historicity because it is intertwined in three senses of the word “history”: type of plot in which a movie is made up, function of memorialization that it accomplishes, and the way it certifies a participation in a common destiny.
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References
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Referências audiovisuais
COEUR Fidèle. Jean Epstein, França, 1923.
HISTOIRE(S) du Cinéma. Jean-Luc Godard, França, 1998.
LA Roue. Abel Gance, França, 1923.
LEVEL Five. Chris Marker, França, 1997.
LISTEN to Britain. Humphrey Jennings, Reino Unido, 1941.
LONDON Can Take It. Humphrey Jennings, Reino Unido, 1940.
WHILE the City Sleeps (No silêncio de uma cidade). Fritz Lang, Estados Unidos, 1956.
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