Behind and beyond the cameras: initial propositions for the making-of field
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2018.138583Keywords:
making of, movie extras, field, social space, cinemaAbstract
This article discusses transformations in the cinematographic experience through a specific movie extra material, the making of, in its two main formats: documentaries (Mdoc) and featurettes. The mechanisms that allow delineating the field of the making of within the North American cinematographic industry are shown, where agents and institutions demonstrate concern with the practices and rules of a structure whose specificity is not only identifiable but also legitimate. We analyze the context of profusion and formats, filmmakers and production patterns, and the various aesthetic-narrative arrangements.
Downloads
References
ARTHUR, P. “(In)Dispensable cinema: confessions of a making-of addict”. Film Comment, New York, v. 50, n. 4, p. 38-42, jul.-ago. 2004.
AUMONT, J.; MARIE, M. Dicionário teórico e crítico de cinema. Campinas: Papirus, 2003.
BAECQUE, A. Cinefilia. São Paulo: Cosac Naify, 2010.
BENJAMIN, W. Magia e técnica, arte e política. 8. ed. São Paulo: Brasiliense, 2012.
BOURDIEU, P. As regras da arte: gênese e estrutura do campo literário. São Paulo: Companhia das Letras, 1996a.
______. Razões práticas: sobre a teoria da ação. 7. ed. Campinas: Papirus, 1996b.
______. “Esboço de uma teoria da prática”. In: ORTIZ, R. (Org.). A sociologia de Pierre Bourdieu. São Paulo: Olho d’Água, 2003.
______. Os usos sociais da ciência: por uma sociologia clínica do campo científico. São Paulo: Ed. Unesp, 2004.
EVANS, N. J. “Undoing the magic? DVD extras and the pleasure behind the scenes”. Continuum: Journal of Media & Cultural Studies, Abingdon, v. 24, n. 4, 2010.
HIGHT, C. “Making of documentaries on DVD: the lord of the rings trilogy and special editions”. The Velvet Light Trap, Austin, n. 56, Fall 2005.
KOMPARE, D. “DVD Box sets and the reconception of television”. Television & New media, Thousand Oaks, n. 7, p. 335-360, 2006.
NICHOLS, B. Introdução ao documentário. São Paulo: Papirus, 2005.
PINTO, L. Pierre Bourdieu e a teoria do mundo social. Rio de Janeiro: Ed. FGV, 2000.
RAMOS, F. P. Mas afinal, o que é mesmo documentário? São Paulo: Senac, 2013.
SILVA, M. D. J. Ponto de vista a(u)torizado: composições da autoria no documentário brasileiro contemporâneo. 2013. 240 f. Tese (Doutorado em Ciências da Comunicação) – Escola de Comunicações e Artes, Universidade de São Paulo, São Paulo, 2013. Disponível em: https://bit.ly/2G73CKm. Acesso em 23 mar. 2018.
SKOPAL, P. “The adventure continues on DVD: franchise movies as home video”. Convergence: The International Journal of Research into New Media Technologies, Thousand Oaks, v. 13, 2007.
SONTAG, S. “The decay of cinema”. The New York Times, New York, 25 fev. 1996. Disponível em: http://nyti.ms/2HYluaN. Acesso em: 28 fev. 2016.
VALÉRY, P. Aesthetics: the conquest of ubiquity. New York: Pantheon Books, 1964. (Série Bollingen).
Downloads
Published
Issue
Section
License
Copyright (c) 2018 Patricia de Oliveira Iuva, Miriam de Souza Rossini
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish in this journal must agree with the following terms:
- Authors keep their copyrights and grant the journal first time publication rights, having their articles simultaneously licensed under the Creative Commons Attribution License, which allows sharing texts with authorship recognition and first publication on this journal for non-commercial purposes.
- Authors are allowed to make additional contracts, for a non-exclusive distribution of the article’s version published on this journal (e.g.: publishing in institutional repositories of articles or as a book chapter), with authorship recognition and first publication on this journal.
