Behind and beyond the cameras: initial propositions for the making-of field
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2018.138583Keywords:
making of, movie extras, field, social space, cinemaAbstract
This article discusses transformations in the cinematographic experience through a specific movie extra material, the making of, in its two main formats: documentaries (Mdoc) and featurettes. The mechanisms that allow delineating the field of the making of within the North American cinematographic industry are shown, where agents and institutions demonstrate concern with the practices and rules of a structure whose specificity is not only identifiable but also legitimate. We analyze the context of profusion and formats, filmmakers and production patterns, and the various aesthetic-narrative arrangements.
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Copyright (c) 2018 Patricia de Oliveira Iuva, Miriam de Souza Rossini

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