Note on the Pantallas transnacionales

Authors

  • Arthur Autran Franco de Sá Universidade Federal de São Carlos

DOI:

https://doi.org/10.11606/issn.2316-7114.sig.2019.149653

Keywords:

Film History, Classic cinema, Latin America

Abstract

This is a review of the book Pantallas transnacionales – El cine argentino y mexicano del período clásico, organized by the Argentine researchers Ana Laura Lusnich, Alicia Aisemberg and Andrea Cuaerteloro. The book focuses on the various types of cinematographic relations between Argentina and Mexico between the 1930s and 1950s, and is based on theoretical frameworks related to the concept of transnational. This review highlights the main characteristics of the book and points to some interesting issues for Brazilian readers.

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Author Biography

  • Arthur Autran Franco de Sá, Universidade Federal de São Carlos

    Professor da Universidade Federal de São Carlos. Autor de Alex Viany: crítico e historiador (2003) e de O pensamento industrial cinematográfico brasileiro (2013). Pesquisador Produtividade em Pesquisa CNPq.

References

GALVÃO, M. R. Burguesia e cinema: o caso Vera Cruz. Rio de Janeiro: Civilização Brasileira, 1981.
LUSNICH, A. L.; AISEMBERG, A.; CUARTEROLO, A. (Org.). Pantallas transnacionales: el cine argentino y mexicano del período clásico. Cidade do México: Cineteca Nacional; Buenos Aires: Imago Mundi, 2017.
PARANAGUÁ, P. A. Le cinéma en Amérique Latine: le miroir éclaté. Paris: L’Harmattan, 2000.

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Published

2019-01-31

Issue

Vol. 46 No. 51 (2019): Dossiê: História e Audiovisual

Section

Reviews

License

Copyright (c) 2019 Arthur Autran Franco de Sá

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How to Cite

Note on the Pantallas transnacionales. (2019). Significação: Journal of Audiovisual Culture, 46(51). https://doi.org/10.11606/issn.2316-7114.sig.2019.149653