Pedagogies of cinema: montage
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2016.115323Keywords:
film, montage, education, pedagogyAbstract
This article aims to deepen the path of the French critic Serge Daney that cinema invents a pedagogy. This intuition, developed in the 1970s, is taken up by many thinkers in Europe and Brazil. This pedagogy does not treat the cinema as a privileged transmitter, but as an inventor of forms of engaging the spectator on sensitive sharing of ideas, concepts, perceptions of the world and knowledge. This paper goes through the history of cinema, focusing on filmmakers and theorists that enable us to draw a notion of pedagogy based on film montage.
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