The word in motion in the film Sansho the bailiff, de Kenji Mizoguchi

Authors

DOI:

https://doi.org/10.11606/issn.2316-7114.sig.2018.142283

Keywords:

Sansho the bailiff, Kenji Mizoguchi, cinema, literature

Abstract

The aim of this essay is to establish a relationship between literature and cinema by analyzing scenes and sound effects of Sanshū Dayū (Sansho the bailiff, 1954) by the Japanese director Kenji Mizoguchi, since the screenplay of the film was written from the homonymous novel by Ogai Mori. To that end, I will highlight the importance of the articulation between the naming of the characters and the word (sung and writing) in the assembly of this classic of the Japanese cinema.

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Author Biography

  • Maria Schtine Viana, Universidade Nova de Lisboa

    Doutoranda no Departamento de Estudos Portugueses da Faculdade de Ciências Sociais e Humanas da Universidade Nova de Lisboa (FCSH-UNL). Mestre em Culturas e Identidades Brasileiras pelo Instituto de Estudos Brasileiros da Universidade de São Paulo (IEB-USP).

References

Referências bibliográficas

CHION, Michel. A audiovisão: som e imagem no cinema. Lisboa: Edições texto e grafia, 2016.

COSTA da, João Bérnard. “Mizoguchi: A quinta essência”, in Kenji Mizoguchi. Lisboa: Cinemateca, 2000.

CHKLOVSKI, V. “A Arte como Processo”, in Teoria da Literatura I. Lisboa: Edições 70, 1989.

DELEUZE, Gilles, A imagem-tempo, cinema 2. Lisboa: Documenta, 2015.

EISENSTEIN, Serguei (1929). “O princípio cinematográfico e o ideograma”, in Ideograma, Haroldo de Campos. São Paulo: Edusp, 1994.

GARDIES, René (org.) Compreender o cinema e as imagens. Lisboa: Edições texto e grafia, 2006.

FENOLLOSA, Ernest. El carácter de la escritura china como médio poético, introducción y traducción de Mariano Antolin Rato, Barcelona: Visor libros, s./d.

YODA, Yoshikata. Souvenirs de Kenji Mizoguchi. Petite bibliothèque des cahiers du cinéma. Quetigny-France, 1997.

MADEIRA, Maria João. “Zangiku Monogatari – Contos dos crisântemos tardios”, in As folhas da cinemateca: Kenji Mizoguchi, 2005.

MORI, Ogai. El Intendente Sansho, tradução Elena Gallego, ESPA-PDF, Editor digital Daruma, s./d.

ROCHA, Paulo. “Paulo Rocha fala sobre Kenji Mizoguchi”, in Kenji Mizoguchi. Lisboa: Cinemateca, 2000.

Filmografia

Sansho Dayu (O Intendente Sansho). Japão, 1954.

Chikamatsu Monogatari (Os amantes crucificados). Japão, 1954.

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Published

2018-07-04

Issue

Vol. 45 No. 50 (2018): Dossiê Os anos 1968 no cinema

Section

Articles

License

Copyright (c) 2018 Maria Schtine Viana

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How to Cite

Viana, M. S. (2018). The word in motion in the film Sansho the bailiff, de Kenji Mizoguchi. Significação: Journal of Audiovisual Culture, 45(50), 204-222. https://doi.org/10.11606/issn.2316-7114.sig.2018.142283