Ontology of digital cinema: the death of cinema and the lead to a smaller cinema
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2021.165686Keywords:
Digital cinema, Identity crisis, Image ontologyAbstract
The establishment of digital technology has led cinema to an identity crisis. Digital content questions the modes of production, distribution and consumption of institutional or classical cinema. Hence, some authors have proclaimed the death of cinema as it has been known throughout the twentieth century. Thus, this article discusses the theoretical scopes that imply on the acceptance of this identity crisis. Classic concepts of cinema are revisited in the light of the digital cinema breakthrough.
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Copyright (c) 2021 Sebastian Jorge Morales Escoffier
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