Machines and their vital beats: for a sensu lato cinema

Authors

DOI:

https://doi.org/10.11606/issn.2316-7114.sig.2021.182941

Keywords:

Béla Tarr, Gilbert Simondon, Cinematography

Abstract

As from Arlindo Machado’s readings of Gilbert Simondon, back in the 1990s, we revise this author to explore his thoughts on imagination, invention and the complex net of relationships between machines and humans, in order to examine the practice of cinematography and its images.

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Author Biography

  • Andréa C. Scansani, Universidade Federal de Santa Catarina

    Professora do curso de Cinema da Universidade Federal de Santa Catarina (UFSC)

References

BARTHÉLÉMY, Jean-Hugues. "Fifty Key Terms in the Works of Gilbert Simondon", in: Simondon, Gilbert. Being and Technology. Edinburgh: Edinburgh University Press, 2012.

KELEMEN, Fred. "The Thinking Image: Fred Kelemen on Béla Tarr and The Turin Horse". Cinema Scope, n. 46, 2011.

MACHADO, Arlindo. Máquina e imaginário: o desafio das poéticas tecnológicas. São Paulo: Edusp, 1993.

MACHADO, Arlindo. Pré-cinemas & pós-cinemas. Campinas: Papirus, 1997.

MACHADO, Arlindo. “Repensando Flusser e as imagens técnicas”. Ensaio apresentado em Arte en la Era Electrónica - Perspectivas de una nueva estética. Barcelona: Centre de Cultura Contemporania de Barcelona, de 29 de janeiro a 01 de fevereiro de 1997.

MELLO, Lídia. Do cinema de Béla Tarr. Belo Horizonte: Ramalhete, 2019.

MERLEAU-PONTY, Maurice. O Olho e o Espírito. São Paulo: Cosac Naify, 2013.

SIMONDON, Gilbert. Du mode d'existence de objects tecchiniques. Paris: Aubier, 1989.

SIMONDON, Gilbert. El modo de existencia de los objetos técnicos. Buenos Aires: Prometeo, 2007.

SIMONDON, Gilbert. Curso sobre la percepción. Buenos Aires: Cactus, 2012.

SIMONDON, Gilbert. Imaginación e invención. Buenos Aires: Cactus, 2013.

SIMONDON, Gilbert. Sur la technique. Paris: Press Universitaires de France, 2014.

XAVIER, Ismail. A experiência do cinema. Rio de Janeiro : Graal, 1983.

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Published

2021-07-18

Issue

Vol. 48 No. 56 (2021): Arlindo Machado: Conceitos e processos poéticos nas comunicações e artes (I)

Section

Dossier

License

Copyright (c) 2021 Andréa C. Scansani

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How to Cite

Scansani, A. C. (2021). Machines and their vital beats: for a sensu lato cinema. Significação: Journal of Audiovisual Culture, 48(56), 76-94. https://doi.org/10.11606/issn.2316-7114.sig.2021.182941