Autonomía de los aparatos-miradas sin imágenes. Leyendo a Flusser em la era postmediática

Authors

  • Víctor Silva Echeto Universidad de Playa Ancha de Chile / Escuela Latinoamericana de Postgrados de la Universidad de Artes y Ciencias Sociales

DOI:

https://doi.org/10.11606/issn.2316-7114.sig.2011.68167

Keywords:

Flusser, Appliances, Pictures, Post-media.

Abstract

Flusser realized that the relationship between technology, communication and culture should be analyzed in their high levels of complexity. He was not an accomplice to “employees” that develop “programs”, but he did not agree either with the “false” critics who are unable to understand the changes brought by digitization. His philosophy is creative, intriguing, but, at the same time, ambiguous and contradictory. It is a philosophy of strangeness, of “migration” of concepts.

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Author Biography

  • Víctor Silva Echeto, Universidad de Playa Ancha de Chile / Escuela Latinoamericana de Postgrados de la Universidad de Artes y Ciencias Sociales
    Doutor em estudos culturais: literatura e comunicação, professor e investigador da UPLA (Universidad de Playa Ancha de Chile) e professor da ARCIS (Escuela Latinoamericana de Postgrados de la Universidad de Artes y Ciencias Sociales).

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Published

2011-06-22

Issue

Vol. 38 No. 35 (2011)

Section

Articles

License

Copyright (c) 2011 Víctor Silva Echeto

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How to Cite

Echeto, V. S. (2011). Autonomía de los aparatos-miradas sin imágenes. Leyendo a Flusser em la era postmediática. Significação: Journal of Audiovisual Culture, 38(35), 169-180. https://doi.org/10.11606/issn.2316-7114.sig.2011.68167