Tereza Trautman and Os homens que eu tive: a history on cinema and censorship
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2013.71671Keywords:
Tereza Trautman, Os homens que eu tive, cinema, history, censorship.Abstract
Beyond politics, the moral censorship was widely practiced in Brazil toward films that contested the military patterns of conduct. In the context of erotic cinema, promoted by Embrafilme, a young director saw her dreams sink in 1973 with a censorship act. This article analyses the interdiction of the film Os homens que eu tive [the men that I’ve had], by Tereza Trautman, as a representative element of arbitrariness with its basis on moral and good habits, strongly emphasized from the military coup d’état.
Downloads
Downloads
Published
Issue
Section
License
Copyright (c) 2013 Ana Maria Veiga
![Creative Commons License](http://i.creativecommons.org/l/by-nc/4.0/88x31.png)
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish in this journal must agree with the following terms:
- Authors keep their copyrights and grant the journal first time publication rights, having their articles simultaneously licensed under the Creative Commons Attribution License, which allows sharing texts with authorship recognition and first publication on this journal for non-commercial purposes.
- Authors are allowed to make additional contracts, for a non-exclusive distribution of the article’s version published on this journal (e.g.: publishing in institutional repositories of articles or as a book chapter), with authorship recognition and first publication on this journal.