The metafiction in Guel Arraes’ work: an analysis of the film

Authors

  • Afonso Barbosa
  • Luiz Antonio Mousinho

DOI:

https://doi.org/10.11606/issn.2316-7114.sig.2014.75894

Keywords:

Cinema, Guel Arraes, metaficcion.

Abstract

This article discusses the film Romance, by Guel Arraes, investigating its metafictional particularities. We are interested in examining the aesthetic peculiarities from the director along with his other works, such as Lisbela e o prisioneiro . To do so, we will support in the studies of Robert Stam (2000; 2006); Alexandre Figueirôa and Yvana Fechine (2008); and Gustavo Bernardo (2010).

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Published

2014-07-31

Issue

Vol. 41 No. 41 (2014): Dossiê: Crítica Audiovisual

Section

Dossier

License

Copyright (c) 2014 Afonso Barbosa, Luiz Antonio Mousinho

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How to Cite

Barbosa, A., & Mousinho, L. A. (2014). The metafiction in Guel Arraes’ work: an analysis of the film. Significação: Journal of Audiovisual Culture, 41(41), 79-94. https://doi.org/10.11606/issn.2316-7114.sig.2014.75894