The Dublin-Moscow Line: Russia and the Poetics of Home in Contemporary Irish Poetry
DOI:
https://doi.org/10.37389/abei.v22i2.180774Keywords:
Russia, Ireland, Paul Durcan, Poetics of HomeAbstract
This article opens with an overview of the possibilities offered by the influence of Russian literature on Irish poetry. Subsequently, the focus shifts to Durcan’s oeuvre and the way in which Russia presents itself as an “elsewhere” which has allowed him to go beyond Ireland’s insularity and broaden his perspective. Hence, this study reveals that Durcan’s turning to Russia is an attempt to disrupt the hegemonic notion of identity according to which the links between place and self are indissoluble. Instead, it is here proposed that Russia is envisaged as an imaginary homeland where the self can be freed from Anglo-Irish tradition allowing for the shattering of myths regarding the idea of home.
References
Bernard O’Donoghue, ‘Involved Imaginings: Tom Paulin’, in The Chosen Ground: Essays on the Contemporary Poetry of Northern Ireland, edited by Neil Corcoran, Bridgend: Seren, 1992.
Boland, Eavan, Object Lessons: The Life of the Woman and the Poet in Our Time. London: Vintage, 1996.
Brown, Terence, ‘‘Translating Ireland’, Krino 7, 1989, p.138.
Brown, Terence, Ireland’s Literature: Selected Essays, Mullingar: Lilliput, 1988.
Calvino, Italo. Invisible Cities, London: Picador, 1979.
Dalton, Mary, ‘‘Spiraling Lines: Paul Durcan’’, Irish Literary Supplement 10.2, 1991, p.24.
Deane, Seamus, Celtic Revivals: Essays in Modern Irish Literature 1880-1980, London: Faber, 1985.
Deane, Seamus. Selected Poems. Oldcastle, Co Meath: The Gallery Press, 1988.
Dorgan, Theo, ‘An Interview with Paula Meehan’’, Colby Quarterly 28.4, 1992, p.268.
Dunne, Sean, Time and the Island, Oldcastle, Co Meath: The Gallery Press, 1996.
Durcan, Paul, A Snail in My Prime: New and Selected Poems, London: Harvill, 1993.
Durcan, Paul. Going Home to Russia, Belfast: Blackstaff, 1987.
Eliot, TS., Selected Prose, edited by Frank Kermode, London: Faber, 1975.
Ferdia Mac Anna, ‘‘The Dublin Renaissance: An Essay on Modern Dublin and Dublin Writers’’, The Irish Review 10, 1991, p.18-22.
Heaney, Seamus. Station Island, London: Faber, 1984.
Heaney, Seamus. The Government of the Tongue, London: Faber, 1988.
Heaney, Seamus. The Redress of Poetry: Oxford Lectures, London: Faber, 1995, p.193.
Mahon, Derek, ‘Poetry in Northern Ireland’, Twentieth-Century Studies 4, 1970, p.93.
Mahon, Derek. Selected Poems, Harmondsworth: Penguin, 1993, p.187. 16.
Mahon, Derek. Seeing Things, London: Faber, 1991, p.56.
Mahon, Derek. The Spirit Level, London: Faber, 1996, p.57.
Mandelstam, Osip, The Noise of Time, translated by Clarence Brown, London: Quartet Encounters: 1988, p.224.
McGuckian, Medbh, Captain Lavender, Oldcastle, Co Meath: The Gallery Press, 1994.
McGuckian, Medbh. On Ballycastle Beach, Oxford: Oxford University Press, 1988.
Meehan, Paula, Dharmakaya, Manchester: Carcanet, 2000.
Murphy, Shane, “You Took Away My Autobiography”: The Poetry of Medbh McGuckian’, Irish University Review 28.1, 1998, p.124.
O’Loughlin, Michael, Another Nation: New and Selected Poems, Dublin: New Island, 1996.
O’Loughlin, Michael. Stalingrad: The Street Dictionary, Dublin: Raven Arts, 1980, p.30. 20.
O’Loughlin, Michael. Atlantic Blues, Dublin: Raven Arts, 1982, p.45. 21.
Ormsby, Frank, The Ghost Train, Oldcastle: Co Meath: The Gallery Press, 1995, p.14.
Paulin, Tom, Writing to the Moment: Selected Critical Essays 1980-1996, London: Faber, 1996.
Simmons, James, “A Literary Leg-Pull?”, Belfast Review 8, 1984, p.27.
Wills, Clair, “Voices from the Nursery: Medbh McGuckian’s Plantation”, in Poetry in Contemporary Irish
Downloads
Published
Issue
Section
License
Copyright (c) 2020 Kim Cheng Boey

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.