In-Between Traditions: the Poetry of Adília Lopes and Rita Ann Higgins
DOI :
https://doi.org/10.11606/issn.2595-8127.v26i1p81-91Mots-clés :
Contemporary Poetry, Comparativisms, Rita Ann Higgins, Adília Lopes, FeminismsRésumé
How much can poetry survive multiculturalism? A comparative approach between the Irish poet Rita Ann Higgins and the Portuguese poet Adília Lopes can provide us with some clue. Yet, questions regarding aesthetics and the contemporary discussions on identity, feminisms and belonging are still left open. Unless we aim at reading comparatively snapshots of two of the most humorous poets of our times.
Références
Bastos, B. (2017). Desdobrando Adília. ELyra: Revista Da Rede Internacional Lyracompoetics, (9). Obtido de https://www.elyra.org/index.php/elyra/article/view/175 (last accessed: 04/29th/2024)
Dias, Maria Heloísa Martins. “Restos, Resíduos e Impurezas para compor a poesia: o entrópico e o poético em Adília Lopes”. Revista Diadorim / Revista de Estudos Linguísticos e Literários do Programa de Pós-Graduação em Letras Vernáculas da Universidade Federal do Rio de Janeiro. Volume 11, Julho 2012. https://revistas.ufrj.br/index.php/diadorim/article/view/3958 (last accessed: 04/29th/2024)
Higgins, Rita Ann (1993), Philomena´s Revenge, Dublin, Salmon Publishing.
Higgins, Rita Ann (1988), Goddess & Witch, Galway, Salmon Publishing.
Lopes, Adília (2000), Obra, Lisboa, Mariposa Azual.
Melo, Sónia Rita. “Profissão? Autora. Novas figuras autoriais da poesia portuguesa contemporânea”. Interdisciplinar-Revista de Estudos em Língua e Literatura. São Cristóvão: UFS, v. 26, set.-dez., p. 105-122, 2016. <https://seer.ufs.br/index.php/interdisciplinar/article/view/6301> (last accessed: 04/29th/2024)
O´Toole, Fintan. “Now the bubble has burst, we're left with our real treasures”. Irish Times. Sep 24, 2011. < https://www.irishtimes.com/culture/tv-radio-web/now-the-bubble-has-burst-we-re-left-with-our-real-treasures-1.608690 > (last accessed: 04/29th/2024)
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(c) Copyright Gisele Wolkoff 2024
Ce travail est disponible sous licence Creative Commons Attribution - Pas d’Utilisation Commerciale 4.0 International.