“Cancel, yes, cancel, and begin again”: John Banville’s Path from ‘Einstein” to Mefisto
DOI:
https://doi.org/10.37389/abei.v22i1.3853Parole chiave:
Mefisto, literary manuscripts, Literary manuscripts, Narrative voice, Albert Einstein, Science and LiteratureAbstract
Focusing on unpublished manuscript materials, this article is the first scholarly attempt to investigate the textual and thematic evolution of John Banville’s Mefisto (1986). As originally conceived, Mefisto would loosely follow Albert Einstein’s life story in order to investigate the moral and political undercurrents of 20th-century European weltanchauung. However, the novel’s five-year-long composition process culminates with the eradication of these historical, moral and scientific concerns. Mefisto is finally born when Banville establishes Gabriel Swan’s narrative voice. As this article argues, this novel constitutes a turning point not only for the science tetralogy but for Banville’s literary career.
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Copyright (c) 2020 Kersti Tarien Powell
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