“Nuvem vermelha, terra sentindo, céu que pensa”: Est/ética de John Banville

Autores

  • Joakim Wrethed Stockholm University

DOI:

https://doi.org/10.37389/abei.v22i1.3857

Palavras-chave:

Stevens, Nietzsche, Deleuze, Husserl, Intencionalidade, Metacognição, Recorrência interna, Devir, Estética, Esperança, The Blue Guitar, Long Lankin

Resumo

A longa carreira de John Banville pode, evidentemente, ser vista convencionalmente de modo linear, contudo seria melhor se fosse vista como uma forma de espiral. Essa espiral representa o processo hermenêutico e, concomitantemente, os movimentos de recorrência eterna na obra. De acordo com o conceito de Nietzsche, essas recorrências não devem ser interpretadas como retornos do idêntico. Em vez disso, essa dimensão ética e estética em Banville é explicada como uma sintonização com a força geral do devir. De acordo com a poética de Wallace Stevens, a estética de Banville é vista principalmente como processo. Por meio do acesso imediato à metacognição e reflexão no ato intencional, Banville, através de seus protagonistas, mantém um sentimento de admiração como esperança em um mundo fictício, muitas vezes permeado por perda, melancolia e desespero. Argumenta-se que esse traço ficcional está presente desde a sua estréia até a escrita mais recente de Banville.

Biografia do Autor

  • Joakim Wrethed, Stockholm University

    Joakim Wrethed is Associate Professor in the Department of English at Stockholm University and has hitherto mainly worked in Irish Studies – especially on John Banville – but he also explores the contemporary novel in English more generally without any primary emphasis on national boundaries. The current research project involves “Writing the City of Stockholm: from Bellman to Stieg Larsson (1700–2000)” for The Palgrave Encyclopedia of Urban Literary Studies. Phenomenology, postmodernism, aesthetics and theology are overarching topics of his scholarly work. Some of the more recent publications have been on Irish Literature as World Literature, The Postmodern Gothic, John Williams, Tom McCarthy, aesthetics, the anthropocene and the posthuman zeitgeist.

Referências

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Deitz, Cody. “The Absent Center: Poetic Difficulty in Wallace Stevens’s ‘The Man with the Blue Guitar XXII.’” Explicator, vol. 75, no. 3, 2017, pp. 157–159.

Deleuze, Gilles. In Friedrich Nietzsche, Basic Writings of Nietzsche, Translated and edited by Walter Kaufmann. New York: Modern Library, 2000, pp. 857–60.

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May, Todd. “When Is a Deleuzian Becoming?” Continental Philosophy Review, vol. 36, no. 2, June 2003, pp. 139–153.

Miller, J. Hillis, The Linguistic Moment: From Wordsworth to Stevens. Princeton, N.J., Princeton Univ. Press, 1985

Murphy, Neil. John Banville. Bucknell University Press, 2018. ProQuest Ebook Central, http://ebookcentral.proquest.com/lib/sub/detail.action?docID=5376712.

Palazzolo, Pietra. “Afterlives of a Supreme Fiction: John Banville’s Dialogue With Wallace Stevens”. In John Banville and His Precursors, Stephen Butler, Pietra Palazzolo and Michael Springer (eds). London: Bloomsbury Academic, 2019, pp. 87–109.

Robin, Thierry. “Liars, Similes and Story-tellers in The Blue Guitar by John Banville”. History, Memory and Nostalgia in Literature and Culture. Ed. Regina Rudaityté. Cambridge: Cambridge Scholars Publishing, 2018.

Stevens, Wallace. “The Man with the Blue Guitar”. The Collected Poems of Wallace Stevens. New York: Vintage, 1990, pp.175–94.

Tarien, Kersti. “Trying to Catch Long Lankin by His Arms: The Evolution of John Banville’s Long Lankin”. Irish University Review, no. 2, 2001, p. 386.

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Wrethed, Joakim. “Mnemonic Air in John Banville’s Science Tetralogy”. Recovering Memory: Irish Representations of Past and Present. Hedda Friberg, Irene Gilsenan Nordin, and Lene Yding Pedersen. Eds. Cambridge Scholars Publishing, 2007: pp. 280–90.

Zuntini de Izarra, Laura P. Mirrors and Holographic Labyrinths: The Process of a “New” Aesthetic Synthesis in John Banville’s Work. San Francisco: International Scholars Publications, 1999.

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Publicado

20-02-2021

Edição

v. 22 n. 1 (2020): ABEI Journal 22.1 — Word Upon World: Half a Century of John Banville's Universes

Seção

Critical Dialogues

Licença

Copyright (c) 2020 Joakim Wrethed

Creative Commons License

Este trabalho está licenciado sob uma licença Creative Commons Attribution-NonCommercial 4.0 International License.

Como Citar

Wrethed, J. (2021). “Nuvem vermelha, terra sentindo, céu que pensa”: Est/ética de John Banville. ABEI Journal, 22(1), 183-196. https://doi.org/10.37389/abei.v22i1.3857